LEADER 03208oam 2200613 c 450 001 9910563057103321 005 20240525094506.0 024 7 $a10.3726/b12705 035 $a(CKB)4340000000238940 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/31673 035 $a(PH02)9783954790197 035 $a(EXLCZ)994340000000238940 100 $a20240525d2003 uy 0 101 0 $ager 135 $aurnnunnnannuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDon't Weep a Gold Chain$eObservations on Primary and Secondary Systems in Russian Classical and Romantic Art and Literature$fPaul M. Waszink 205 $a1st, New ed. 210 $aFrankfurt a.M$cPH02$d2003 215 $a1 online resource (309 p.)$c, EPDF 225 0 $aSlavistische Beitra?ge$v426 300 $aPeter Lang GmbH, Internationaler Verlag der Wissenschaften 311 $a3-95479-019-X 327 $aPrimary and Secondary Systems - The Function of Models in Russian Nineteenth-Century Paintings and Literary Works - Derzhavin and Baratynskii as Representatives of a Primary and a Secondary System - Mannerisms in Verbal and Pictorial Texts: The Case of Lermontov - The Return from a Secondary to a Primary System: Observations on Romantic Prose 330 $aIn this work I have endeavoured to apply the theory of primary and secondary systems as defined by D.S. Likhachev to Russian literary texts. Likhachev's idea amounts to the fact that those systems reoccur alternately. Thus, a primary system evolves into a so-called elliptic stage which enables a succeeding, secondary system to develop itself. Conversely, when the latter has become the standard norm it gradually evolves, in turn, into a similar elliptic stage. This, in turn, gradually develops into a primary system too. As far as the fluent succession of systems is concerned, Likhachev's theory differs from a similar theory developed by E.R. Curtius. The latter assumes that literary works should be divided into works with a Classicistic and a Manneristic character. The first develop into the latter which show a frozen character with no original qualities. In the end works with a new Classicistic character develop themselves. These, in turn, have a vital character again. In other words, in Curtius' scheme there is no place for a fluent alternation of systems the way there is in Likhachev's. 517 $aDon't Weep a Gold Chain 606 $alinguistics$2bicssc 610 $aChain 610 $aClassical 610 $aDerzhavin's Poetry 610 $aGogol 610 $aGold 610 $aLiterature 610 $aMannerisms in Verbal and Pictorial Texts 610 $aObservations 610 $aPrimary 610 $aRomantic 610 $aRussian 610 $arussian Realism 610 $arussian Romanticism 610 $aSecondary 610 $aSystems 610 $aWaszink 610 $aWeep 615 7$alinguistics 700 $aWaszink$b Paul M$4aut$01296937 801 0$bPH02 801 1$bPH02 906 $aBOOK 912 $a9910563057103321 996 $aDon't Weep a Gold Chain$93024297 997 $aUNINA