LEADER 01026nam a2200265 i 4500 001 991001541499707536 005 20020502183346.0 008 950224s1970 it ||| | ita 035 $ab10865585-39ule_inst 035 $aLE02371229$9ExL 040 $aDip.to Studi Storici$bita 082 0 $a270.1 100 1 $aRahner, Hugo$0386295 245 10$aChiesa e struttura politica nel cristianesimo primitivo :$bdocumenti della Chiesa nei primi otto secoli con introduzione e commento /$cHugo Rahner 250 $a2. rist. 260 $aMilano :$bJaca book,$c1970 300 $a303 p. ;$c23 cm. 490 0 $aGià e non ancora ;$v51 650 4$aChiesa$ySec. 1.-8.$xDocumenti 907 $a.b10865585$b23-02-17$c28-06-02 912 $a991001541499707536 945 $aLE023 270.1 RAH 1 1$g1$i2023000002216$lle023$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i10974295$z28-06-02 996 $aChiesa e struttura politica nel cristianesimo primitivo$9918186 997 $aUNISALENTO 998 $ale023$b01-01-95$cm$da $e-$fita$git $h0$i1 LEADER 03746 am 2200697 n 450 001 9910558699703321 005 20240104030706.0 010 $a979-1-03-000820-3 024 7 $a10.4000/books.pub.45730 035 $a(CKB)4100000012873207 035 $a(FrMaCLE)OB-pub-45730 035 $a(PPN)262738910 035 $a(EXLCZ)994100000012873207 100 $a20220415j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 200 00$aArchitectures fictives$fRobert Renaud, Gaëlle Herbert de la Portbarré-Viard 210 $aPessac$cPresses Universitaires de Bordeaux$d2021 215 $a1 online resource (248 p.) 311 $a979-1-0910-5230-6 330 $aLe présent ouvrage est le fruit d?une collaboration entre les universités de Bordeaux- Montaigne et d?Aix-Marseille. Il est l?aboutissement d?une série de rencontres scientifiques pluridisciplinaires. Il a pour objet les rapports entre l?architecture et les autres arts à travers la question des architectures « rêvées », qu?il s?agisse de transposer l?architecture dans le langage ou l?art pictural, ou d?imaginer des formes nouvelles entretenant avec les constructions existantes des rapports complexes, fondés sur l?emprunt, l?hybridation ou la réinvention. Libérés des contraintes de la physique, les peintres ou les écrivains imaginent des édifices que les architectes ne pourraient pas réaliser. Pourtant, l?architecture réelle entretient elle-même des rapports spéculaires avec ces formes imaginaires qu?elle tente parfois de reproduire ou d?égaler. Les contributions réunies couvrent un large éventail de manifestations artistiques (scénographie, installations, design, dessin, gravure) et de formes littéraires (poésie, roman, textes théoriques). Le volume est centré sur les époques moderne et contemporaine. Si les architectures fictives ont joué un rôle important dans les manifestations festives d?Ancien régime ou dans l?édition illustrée du xixe siècle, elles retrouvent aujourd?hui une singulière actualité grâce à la bande dessinée, aux jeux vidéo ou aux productions cinématographiques dans lesquelles l?imaginaire architectural est amplifié par les moyens modernes de figuration. 606 $aArchitecture 606 $aLiterature (General) 606 $afiction 606 $aimaginaire 606 $alittérature 606 $aarchitecture 606 $aarts plastiques 615 4$aArchitecture 615 4$aLiterature (General) 615 4$afiction 615 4$aimaginaire 615 4$alittérature 615 4$aarchitecture 615 4$aarts plastiques 700 $aAzéma$b Claire$01458993 701 $aBrière$b Chantal$01329550 701 $aDuarte$b Pedro$0755963 701 $aEscorne$b Marie$01456221 701 $aForero Mendoza$b Sabine$01331707 701 $aFournier$b Lise$01349730 701 $aGruffat$b Sabine$01458994 701 $aHalba$b Ève-Marie$01285714 701 $aHerbert de la Portbarré-Viard$b Gaëlle$01349613 701 $aHyppolite$b Pierre$01285730 701 $aJames-Raoul$b Danièle$01283404 701 $aJoucla$b Véronique$01458995 701 $aLévy$b Tania$01458996 701 $aPiront$b Julie$01296058 701 $aRenault$b Aude$01458997 701 $aRobert$b Renaud$01292644 701 $aRolet$b Anne$01323033 701 $aRomagnino$b Roberto$01458998 701 $aSaudrais$b Anthony$01458999 701 $aRenaud$b Robert$01459000 701 $aHerbert de la Portbarré-Viard$b Gaëlle$01459001 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910558699703321 996 $aArchitectures fictives$93658450 997 $aUNINA LEADER 04251nam 2200613 450 001 9910808855603321 005 20230629171946.0 010 $a0-674-41653-8 010 $a0-674-41652-X 024 7 $a10.4159/9780674416529 035 $a(CKB)3710000000092483 035 $a(EBL)3301422 035 $a(SSID)ssj0001133887 035 $a(PQKBManifestationID)11976211 035 $a(PQKBTitleCode)TC0001133887 035 $a(PQKBWorkID)11161629 035 $a(PQKB)10377602 035 $a(MiAaPQ)EBC3301422 035 $a(DE-B1597)460902 035 $a(OCoLC)873805659 035 $a(DE-B1597)9780674416529 035 $a(Au-PeEL)EBL3301422 035 $a(CaPaEBR)ebr10846210 035 $a(EXLCZ)993710000000092483 100 $a20140321h20142014 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aFrom Pompeii $ethe afterlife of a Roman town /$fIngrid D. Rowland 205 $aPilot project. eBook available to selected US libraries only 210 1$aCambridge, Massachusetts ;$aLondon, England :$cHarvard University Press,$d2014. 210 4$d©2014 215 $a1 online resource (353 p.) 300 $aDescription based upon print version of record. 311 0 $a0-674-04793-1 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tMap --$tIntroduction: Naples, 1962 --$t1 Pompeii, May 2013 --$t2 The Blood of San Gennaro and the Eruption of Vesuvius --$t3 Before Pompeii: Kircher and Holste --$t4 Mr. Freeman Goes to Herculaneum --$t5 The Rediscover y of Pompeii --$t6 Wolfgang Amadeus Mozart --$t7 Further Excavations --$t8 Karl Bryullov --$t9 Railway Tourism --$t10 Charles Dickens and Mark Twain --$t11 Giuseppe Fiorelli, the ?Pope? of Pompeii --$t12 Bartolo Longo --$t13 The Social Role of Tourist Cameos --$t14 Pierre- Auguste Renoir --$t15 The Legacy of August Mau --$t16 Crown Prince Hirohito of Japan --$t17 Don Amedeo Maiuri --$t18 Roberto Rossellini and Ingrid Bergman --$t19 Autobus Gran Turismo --$tCoda: Atomic Pizza --$tNotes --$tBibliography --$tAcknowledgments --$tIndex 330 $aWhen Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations. The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman. Interwoven throughout a narrative lush with detail and insight is the thread of Rowland's own impressions of Pompeii, where she has returned many times since first visiting in 1962. 606 $aTourism$zItaly$zNaples (Province)$xHistory 607 $aPompeii (Extinct city)$xHistory 607 $aPompeii (Extinct city)$xCivilization 607 $aPompeii (Extinct city)$xSocial life and customs 615 0$aTourism$xHistory. 676 $a937/.72568 700 $aRowland$b Ingrid D$g(Ingrid Drake),$0256465 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808855603321 996 $aFrom Pompeii$91867580 997 $aUNINA