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010   $a90-04-49822-2
035   $a(CKB)5360000000050904
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/80654
035   $a(MiAaPQ)EBC31217092
035   $a(Au-PeEL)EBL31217092
035   $a(EXLCZ)995360000000050904
100   $a20240322d2022      uy         0
101 0 $aeng
135   $aurmn|---annan
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aJesuit Art $eBrill's Research Perspectives in Jesuit Studies
205   $aFirst edition.
210  1$aBoston :$cBRILL,$d2022.
210  4$dİ2021.
215   $a1 electronic resource (228 pages)
225 0 $aBrill Research Perspectives in Humanities and Social Sciences.
311   $a90-04-46251-1 
330   $aMia Mochizuki draws upon masterpieces and material culture from around the world to show how the pre-suppression Society of Jesus (1540?1773) pioneered structural innovations in the history of the image. ; Readership: All interested in early modern, religious, and global art history, and anyone concerned with Renaissance and Baroque art and architecture, Jesuit studies, and the world-wide circulation of prints. Keywords: Renaissance art, Baroque art, religious art, Jesuit art and architecture, global art history, print history, 1540?1773, Jesuit style, Spiritual Exercises, Evangelicae historiae imagines, Imago primi saeculi Societatis Iesu, Ignatius of Loyola, Francis Xavier.
517   $aJesuit Art
606   $aArt & design styles: Baroque$2bicssc
610   $aHistory of art & design styles
610   $aArt & design styles: Baroque
615  7$aArt & design styles: Baroque
676   $a700
700   $aMochizuki$b Mia M$0987398
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910558096503321
997   $aUNINA