LEADER 04602nam 22005533 450 001 9910558095403321 005 20240323060214.0 035 $a(CKB)5860000000038635 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/80741 035 $a(MiAaPQ)EBC31218807 035 $a(Au-PeEL)EBL31218807 035 $a(EXLCZ)995860000000038635 100 $a20240323d2022 uy 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTheatre and Its Other $eAbhinavagupta on Dance and Dramatic Acting 205 $a1st ed. 210 1$aBoston :$cBRILL,$d2022. 210 4$dİ2022. 215 $a1 electronic resource (428 p.) 225 0 $aGonda indological studies,$x1382-3442 ;$v23 311 $a90-04-46705-X 311 $a90-04-44981-7 327 $aIntro -- ?Contents -- ?Preface -- ?Introduction -- ?Chapter 1. N??ya??stra and Abhinavabh?rat?: Trends and Open Questions -- ?1.1. Editorial History and Textual Reception -- ?1.2. Archiving Performance: Texts and Images -- ?1.3. The N??ya??stra and the Place of Dance -- ?1.3.1. Composition, Authorship, and Date -- ?1.3.2. Narrative Structure -- ?1.3.3. The T???av?dhy?ya -- ?1.4. The Abhinavabh?rat?: A Medieval Document on Performance -- ?1.4.1. The Many Voices Recorded in the Chapter on Dance -- ?Part 1. Practice and Aesthetics of Indian Dance -- ?Chapter 2. Formalizing Dance, Codifying Performance -- ?2.1. N??ya, n?tta, and n?tya between Movement and Mimesis -- ?2.2. Dance as Technique: a?gah?ra, kara?a, recaka -- ?2.3. Between Gender and Genre: t???ava, sukum?ra, l?sya -- ?2.3.1. Grace and Vehemence in the N??ya??stra -- ?2.3.2. Grace and Vehemence in the Abhinavabh?rat? -- ?2.4. Expanding the Idea of n?tta -- ?2.5. Tradition, Creativity, and Artistry: A ?aiva Perspective -- ?Chapter 3. The Aesthetics of Dance -- ?3.1. Dance within Theatre, Dance without Theatre -- ?3.2. Enacting Emotions: A vademecum for the Actor -- ?3.3. Communication without Words -- ?3.3.1. Dramatic Mimesis vs Imitation -- ?3.4. Dance, Beauty, and the Fabrication of Dramatic Fiction -- ?3.4.1. On the Psychagogic Power of Dance -- ?3.4.2. Like a Fire-Wheel: Dance and Fiction -- ?3.5. Reshaping the Idea of abhinaya in Dance -- ?Part 2. Critical Edition and Annotated Translation of Abhinavabh?rat? ad N??ya??stra 4.261cd-269ab -- ?Chapter 4. Introduction to the Edition -- ?4.1. General Remarks on the Transmission of the Abhinavabh?rat? -- ?4.2. Genealogy of the Present Text: The Sources -- ?4.2.1. Editions -- ?4.2.1.1. The Baroda or Gaekwad Edition (= E1) -- ?4.2.1.2. The Madhusudan Shastri Edition (= E2) -- ?4.2.1.3. The Nagar Edition (= E3). 327 $a?4.2.1.4. The Dvivedi Edition (= E4) -- ?4.2.2. Manuscripts -- ?4.2.2.1. Manuscripts Containing the Fourth Chapter -- ?4.2.2.2. Relationship between the Manuscripts -- ?4.3. A Note on the Sanskrit Text and Translation -- ?4.4. Symbols and Abbreviations in the Apparatus -- ?Analysis of ABh ad N? 4.261cd-269ab -- ?Edition and Translation: Abhinavabh?rat? ad N??ya??stra 4.261cd-269ab -- ?Appendix: Hemacandra's K?vy?nu??sana -- ?Bibliography -- ?Index. 330 $aIn Theatre and Its Other, Elisa Ganser revisits a telling debate on the intertwined natures of dance and dramatic acting; preserved in Abhinavagupta?s eleventh-century commentary on the N??ya??stra, it reflects complex historical shifts in aesthetic theory and performance practice. ; Readership: All those interested in the history of Indian dance and theatre and in Abhinavagupta?s aesthetics, including scholars and students of Indology, performance, dance, and theatre studies, as well as performers. 410 0$aGonda Indological Studies 606 $aDance & other performing arts$2bicssc 607 $aIndia$2fast 608 $aCriticism, interpretation, etc.$2fast 610 $aThe arts 610 $aDance & other performing arts 615 7$aDance & other performing arts 676 $a792 700 $aGanser$b Elisa$01224219 701 2$aBharata Muni$0636911 701 2$aBharata Muni$0636911 701 2$aAbhinavagupta$cRa?ja?naka.$0782634 701 2$aAbhinavagupta$cRa?ja?naka.$0782634 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910558095403321 996 $aTheatre and its other$92841418 997 $aUNINA