LEADER 00825nam0-22002771i-450- 001 990004781810403321 005 19990530 035 $a000478181 035 $aFED01000478181 035 $a(Aleph)000478181FED01 035 $a000478181 100 $a19990530g18459999km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aEpistula ad Pisones$fQ. Horatii Flacci$gedidit et annotatione illustravit P. Hofman Peerlkamp 210 $aLeidae$cH.W. Hazenberg & Socios$d1845. 215 $a234 p.$d25 cm 700 1$aHoratius Flaccus,$bQuintus$f<65-8 a. C.>$075513 702 1$aPeerlkamp,$bP. Hofman 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004781810403321 952 $aXIV A 78$b3396/1463$fFLFBC 959 $aFLFBC 996 $aEpistula ad Pisones$9559809 997 $aUNINA LEADER 00737nam0-22002771i-450- 001 990006131840403321 005 19980601 035 $a000613184 035 $aFED01000613184 035 $a(Aleph)000613184FED01 035 $a000613184 100 $a19980601d1990----km-y0itay50------ba 105 $a--------00-yy 200 1 $aOn Ethics and Economics$fA. Sen. 210 $aCambridge$cBasil Blackwell$d1990 215 $aXV,, 131 p.$d21 cm 676 $a330.1 700 1$aSen,$bAmartya Kumar$f<1933- >$0119897 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006131840403321 952 $aXV D 455$b13971*$fFGBC 959 $aFGBC 996 $aOn ethics and economics$925957 997 $aUNINA DB $aGIU01 LEADER 02816nam 2200433z- 450 001 9910558094803321 005 20220407 035 $a(CKB)5600000000447615 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/80639 035 $a(oapen)doab80639 035 $a(EXLCZ)995600000000447615 100 $a20202204d2022 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aMineral Policies 210 $aBrooklyn, NY$cpunctum books$d2022 215 $a1 online resource (112 p.) 311 08$a1-68571-074-3 330 $aMineral Policies provides a record of an art residency organized by ZETA Center for Contemporary Art in the mining region of Bulqiza in northeastern Albania, where four artists and activists from Albania, Blerta Hoc?ia, Diana Malaj, Pleurad Xhafa, and Ergin Zaloshnja, created a collective body of works in close proximity with the local miners, while still maintaining their own discrete sphere of action. This residency followed by a public exhibition, Each Strike Leads to the Next, featuring video works produced during the residency as well as a series of object, curated by Vincent W.J. van Gerven Oei, director of the Department of Eagles in Tirana. This publication includes documentation of the residency and the exhibition, as well the record of a public discussion between curator Van Gerven Oei, former Minister of Finance Arben Malaj, mining engineer Genc Myftiu, and mining worker Bardhul Alla, moderated by cultural journalist Elsa Demo and an interview of cultural theorist Jonida Gashi and Van Gerven Oei with the artists. Mineral Policies documents an important attempt of present-day Albanian artists to reflect on and align themselves with workers and labor activities within a political climate in which neoliberal extractivism and mafia-controlled local and national government have seriously compromised modes of solidarity and survival. 606 $aAlbania$2bicssc 606 $aExhibition catalogues and specific collections$2bicssc 606 $aPerformance art$2bicssc 607 $aAlbania$2fast$1https://id.oclc.org/worldcat/entity/E39PBJqqCtcDcw6YhVrpg96tKd 607 $aAlbania$zBulqize? (Rrethi)$2fast$1https://id.oclc.org/worldcat/entity/E39QbtfRBjmcbdrp8mVKh8wGQY 608 $aExhibition catalogs.$2fast 610 $aAlbania;art and politics;extractivism;labor issues;mining;public art;strikes 615 7$aAlbania 615 7$aExhibition catalogues and specific collections 615 7$aPerformance art 676 $a709.4935 702 $aStamenkovic?$b Marko 712 02$aGaleria ZETA, 906 $aBOOK 912 $a9910558094803321 996 $aMineral Policies$94416132 997 $aUNINA