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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aWhiteface $eimprov comedy and anti-Blackness /$fMichel Bu?ch
210  1$aBerlin ;$aBoston :$cDe Gruyter,$d[2022]
210  4$dİ2022
215   $a1 online resource (xii, 261 pages)
225 1 $aAmerican frictions ;$vVolume 5
311   $a3-11-075282-4 
320   $aIncludes bibliographical references and index.
327   $a1 Introduction: Spacing Whiteness in Improv -- 2 US Improv Comedy and Race - A Sketchy Report -- 3 Truths for Whiteness -- 4 Who Speaks? -- 5 Abjection in Play -- 6 Funny Matter -- 7 In lieu of a Conclusion -- Works Cited -- Index.
330   $aThis study originates in the observation that improv comedy or improvised theater has such a vast majority of white people practicing it, while other improvisational or comedic art forms (jazz, freestyle rap, stand up) are historically grounded in and marked as Black cultural production. What it is about improv that makes it such a white space? Can an absence be an object of study? If so, what is there to study? Where should one look?.
410  0$aAmerican frictions ;$vVolume 5.
517   $aWhiteface 
606   $aImprovisation (Acting)
615  0$aImprovisation (Acting)
676   $a792.028
700   $aBu?ch$b Michel$01255130
801  0$bNjHacI
801  1$bNjHacl
906   $aBOOK
912   $a9910557839303321
996   $aWhiteface$92910236
997   $aUNINA