LEADER 02076nam 2200361 n 450 001 9910557634203321 005 20230511103251.0 035 $a(CKB)5400000000045072 035 $a(NjHacI)995400000000045072 035 $a(EXLCZ)995400000000045072 100 $a20230511d2020 uu 0 101 0 $aita 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRicerche sul teatro classico spagnolo in Italia e oltralpe (secoli XVI-XVIII) $esecoli XVI-XVIII /$fedited by Fausta Antonucci, Salome? Vuelta Garci?a 210 1$aFirenze, Italy :$cFirenze University Press,$d2020. 215 $a1 online resource (501 pages) 311 $a88-5518-152-1 330 $aAt the height of its development and up to the eighteenth century, the Spanish classical theatre significantly contributed to the formation of the modern European theatre. Theatre texts and theatrical companies were in fact circulating outside the Iberian peninsula and the Spanish experience of theatre triggered literary debates and reflections that played a central role to the cultural history of Europe, from Neoclassicism to the beginnings of Romanticism. It is a complex phenomenon crossing linguistically and culturally diversified territories, and which therefore needs an inter- and multidisciplinary approach. We tried to respond to this need by involving scholars and researchers in the fields of Hispanic, French, Italian, history of entertainment and musicology for the drafting of this volume. 517 $aRicerche sul teatro classico spagnolo in Italia e oltralpe 606 $aEuropean drama$xRenaissance, 1450-1600$yHistory and criticism 615 0$aEuropean drama$xRenaissance, 1450-1600 676 $a809.20094 702 $aGarci?a$b Salome? Vuelta 702 $aAntonucci$b Fausta 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910557634203321 996 $aRicerche sul teatro classico spagnolo in Italia e oltralpe (secoli XVI-XVIII)$92827883 997 $aUNINA