LEADER 03240nam  2200865z- 450 
001 9910557529103321
005 20231214132824.0
035   $a(CKB)5400000000044287
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/68392
035   $a(EXLCZ)995400000000044287
100   $a20202105d2021      |y             0
101 0 $aeng
135   $aurmn|---annan
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aMusical Instruments$eAcoustics and Vibration
210   $aBasel, Switzerland$cMDPI - Multidisciplinary Digital Publishing Institute$d2021
215   $a1 electronic resource (138 p.)
311   $a3-03936-613-0 
311   $a3-03936-614-9 
330   $aThe study of the acoustic and vibrational characteristics of musical instruments in terms of their mechanical behavior, sound emission, and characteristics started thousands of years ago, and among the physicists and mathematicians that addressed this matter, we should at least recognize Leonardo da Vinci, with his experimental water organ, and Ernst Chladni, who discovered nodal patterns on rigid surfaces such as soundboards. The growing awareness of our intangible cultural heritage and the need to better understand our roots in the field of music have contributed to increasing the efforts to extend our knowledge in this field, defining new physical parameters, extending the analysis to other musical instruments, and developing new methods to synthesize sound from musical instruments using a simple keyboard.
517   $aMusical Instruments 
606   $aMusic$2bicssc
610   $amusical haptics
610   $apiano
610   $aauditory feedback
610   $atactile feedback
610   $abinaural audio
610   $akeyboard vibrations
610   $ameasurement
610   $arecording
610   $aautoclave
610   $aout-of-autoclave
610   $avacuum-bag-only
610   $aprocessing
610   $aCFRE
610   $aplates
610   $amodal
610   $adynamic
610   $amusical instruments
610   $aintensity of acoustic radiation
610   $amodal analysis
610   $aPersian musical instruments
610   $asound efficiency
610   $aintensity of acoustic radiation (IAR)
610   $aCarabattola
610   $afeature extraction
610   $atimbre modeling
610   $aauditory perception
610   $atimbre space
610   $aPalaeolithic
610   $aMousterian
610   $aNeanderthals
610   $amusical instrument
610   $aDivje babe I
610   $amicrophone array
610   $awave field synthesis
610   $aacoustic holography
610   $asampler
610   $asynthesizer
610   $adynamic range compression
610   $amusic production
610   $asemantic audio
610   $aaudio mixing
610   $a1176 compressor
610   $aFET compression
610   $alistening experiment
615  7$aMusic
700   $aTronchin$b Lamberto$4edt$01303350
702   $aTronchin$b Lamberto$4oth
906   $aBOOK
912   $a9910557529103321
996   $aMusical Instruments$93026929
997   $aUNINA