LEADER 02315nam 2200337z- 450 001 9910557418303321 005 20231214141111.0 035 $a(CKB)5400000000043511 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/78688 035 $a(EXLCZ)995400000000043511 100 $a20202202d2022 |y 0 101 0 $ager 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDie Kunst zu leben$eDie biographische Verarbeitung von Katastrophenerfahrungen und Emotionen von Künstlern im gegenwärtigen Japan 210 $cUniversitätsverlag Göttingen$d2022 311 $a3-86395-518-8 330 $aThroughout the world, ?3.11? and ?Fukushima? are used as synonyms for catastrophe, despair and insecurity. In a search for sociocultural meaning in the catastrophic events of ?3.11?, Wiebke Grimmig examines the role of contemporary Japanese artists in the process by which Japanese society has handled the effects of this triple disaster (earthquake, tsunami and atomic disaster) in Fukushima. She focuses on the emotional processing of these events by her respondents, including their biographical background, their economic concerns and the role of contemporary art in Japanese society. This anthropological research involves the analysis of in-depth interviews with contemporary artists from Tokyo, as well as from other locations along the east coast of Japan. This research was conducted over a 12-month period to elucidate the catastrophic events and effects of the ?3.11? disaster. In this work, Wiebke Grimmig examines how contemporary Japanese artists portray catastrophic events in terms of emotion, individuality, power, resilience, politics, economics and communication in their biographical narrative and their work. This doctoral thesis provides an important contribution to the socio-scientific field of disaster research. 517 $aKunst zu leben 606 $aSociety & social sciences$2bicssc 610 $aJapan 610 $aartist 610 $aemotional processing 615 7$aSociety & social sciences 700 $aGrimmig$b Wiebke$4auth$01302074 906 $aBOOK 912 $a9910557418303321 996 $aDie Kunst zu leben$93026099 997 $aUNINA