LEADER 02071nam  2200409   450 
001 9910557294303321
005 20230512222746.0
035   $a(CKB)5400000000041096
035   $a(NjHacI)995400000000041096
035   $a(EXLCZ)995400000000041096
100   $a20230512d2020      uy             0
101 0 $aita
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 12$aA Partire da «Underworld» $eDon DeLillo e il romanzo del terzo Novecento /$fNicola Turi
210  1$aFirenze, Italy :$cFirenze University Press,$d[2020]
210  4$d©2020
215   $a1 online resource (142 pages) $cillustrations
225 1 $aModerna/comparata
311   $a88-5518-271-4 
320   $aIncludes bibliographical references and index.
330   $aThe volume is a commentary on Don DeLillo's hypertrophic novel Underworld (1997). Starting from the analysis of the text - which intertwines several plots, locations and point of view -, Nicola Turi retraces the entire production of the author to follow the evolution of themes (paranoia, nuclear threat, alienation, violence ... ) and textual strategies. At the same times he considers some widespread trends in the contemporary novel which Underworld, narrative tableau of the United States of the second twentieth century, embodies or anticipates: the resumption of the collective novel; the construction of characters drawn from reality; the continuous interaction between verbal representation and image (both static and moving).
410  0$aModerna/comparata.
517   $aPartire da «Underworld» 
517   $aPartire da «Underworld» 
606   $aAmerican fiction$xAfrican American authors$xHistory and criticism
615  0$aAmerican fiction$xAfrican American authors$xHistory and criticism.
676   $a813.009896073
700   $aTuri$b Nicola$0325380
801  0$bNjHacI
801  1$bNjHacl
906   $aBOOK
912   $a9910557294303321
996   $aA Partire da «Underworld»$93362615
997   $aUNINA