LEADER 01799nam  2200349z- 450 
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035   $a(CKB)5400000000041906
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/75232
035   $a(EXLCZ)995400000000041906
100   $a20202201d2021      |y             0
101 0 $ager
135   $aurmn|---annan
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aKunst als soziale Praxis$eZur Formierung des künstlerischen Feldes in London und Berlin (1750?1840)
210   $cUniversitätsverlag Göttingen$d2021
311   $a3-86395-509-9 
330   $aThe present paper analyzes the emergence of the modern artistic field as an indicator for the formation of the modern state. The work traces this development by looking at various fields that build on each other both thematically and chronologically. London, as the center of the British Empire, and Berlin, as the emerging metropolis of Prussia, represent two ideal areas for comparison. On the basis of seven selected formations of practice - the art academies, the artist's journey, the exhibition system, art criticism, private art collections, the emergence of the modern art museum, and the funeral ceremonies of famous artists - a comparative cultural history of the emergence of the figure of the artist and the artistic field is sketched.
517   $aKunst als soziale Praxis 
606   $aHistory$2bicssc
610   $amodern artistic field
610   $aindicator
610   $aformation
610   $amodern state
615  7$aHistory
700   $aSchlitte$b Sune Erik$4auth$01299258
906   $aBOOK
912   $a9910557201903321
996   $aKunst als soziale Praxis$93025085
997   $aUNINA