LEADER 07994nam 2202557z- 450 001 9910557108103321 005 20210501 035 $a(CKB)5400000000040966 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/69423 035 $a(oapen)doab69423 035 $a(EXLCZ)995400000000040966 100 $a20202105d2020 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAnimal Narratology 210 $aBasel, Switzerland$cMDPI - Multidisciplinary Digital Publishing Institute$d2020 215 $a1 online resource (454 p.) 311 08$a3-03928-348-0 311 08$a3-03928-349-9 330 $aAnimal Narratology interrogates what it means to narrate, to speak-speak for, on behalf of-and to voice, or represent life beyond the human, which is in itself as different as insects, bears, and dogs are from each other, and yet more, as individual as a single mouse, horse, or puma. The varied contributions to this interdisciplinary Special Issue highlight assumptions about the human perception of, attitude toward, and responsibility for the animals that are read and written about, thus demonstrating that just as "the animal" does not exist, neither does "the human". In their zoopoetic focus, the analyses are aware that animal narratology ultimately always contains an approximation of an animal perspective in human terms and terminology, yet they make clear that what matters is how the animal is approximated and that there is an effort to approach and encounter the non-human in the first place. Many of the analyses come to the conclusion that literary animals give readers the opportunity to expand their own points of view both on themselves and others by adopting another's perspective to the degree that such an endeavor is possible. Ultimately, the contributions call for a recognition of the many spaces, moments, and modes in which human lives are entangled with those of animals-one of which is located within the creative bounds of storytelling. 606 $aAnimals & society$2bicssc 606 $aBiology, life sciences$2bicssc 606 $aResearch & information: general$2bicssc 610 $a'Inventing a Horse 610 $a'Morenga' 610 $a'Spermaceti' 610 $aAchilles 610 $aadaptation studies 610 $aAesopic fables 610 $aAfrican history 610 $aagency 610 $aallegory 610 $aanimal 610 $aanimal agency 610 $aanimal autobiography 610 $aAnimal Farm 610 $aanimal narration 610 $aanimal narratology 610 $aanimal narrator 610 $aanimal narrators 610 $aanimal poetry 610 $aanimal studies 610 $aAnimal Studies 610 $aanimality 610 $aanimals 610 $aantagonistic fables 610 $aanthropocentrism 610 $aanthropological machine 610 $aanthropology 610 $aanthropomorphism 610 $aArchilochus 610 $aautobiography 610 $aBollywood 610 $aBulgakov 610 $aCartesian dualism 610 $acatastrophe 610 $aCervantes 610 $acharacterization 610 $aChicken Run 610 $acinema 610 $aCixous 610 $acolonialism 610 $acomics 610 $acommunity 610 $aconflict 610 $acontextualist narratology 610 $acultural and literary animal studies 610 $acultural ontologies 610 $acynicism 610 $adecolonization 610 $aDerrida 610 $aDiogenes of Sinope 610 $adirect speech 610 $adiscourse analysis 610 $adogs 610 $adystopia 610 $aEarly Modern Age 610 $aearth 610 $aeco-criticism 610 $aeco-humanities 610 $aeco-philosophy 610 $aecology 610 $aecopsychology 610 $aEl coloquio de los perros 610 $aempathy 610 $aemulation 610 $aentanglement 610 $aenvironmental crisis 610 $aenvironmental philosophy 610 $aequine autozoography 610 $aEric Linklater 610 $aexile 610 $afable 610 $afiction-nonfiction distinction 610 $afictional autobiography 610 $afilm 610 $afilm studies 610 $afilmic representation of animals 610 $afox 610 $aframing and footing 610 $aFranz Kafka 610 $agenre 610 $aGeorge Orwell 610 $aGerard Genette 610 $aGreek fable 610 $aGryllus 610 $aHans Sahl 610 $aHesiod 610 $aHindi cinema 610 $aHomer 610 $ahorse-science 610 $ahuman 610 $ahuman-animal studies 610 $ahumanism 610 $aIK 610 $aimitation 610 $aindigenous wisdom traditions 610 $aIndustrial Farm Animal Production 610 $ainoperativity 610 $ainstinct 610 $ainter-species comprehension 610 $aintermediality 610 $aintertextuality 610 $aintradiegetic narration 610 $aintuition 610 $aKafka studies 610 $alanguage 610 $alife writing 610 $aliterary representation 610 $aliterary theory 610 $aLucian 610 $alyric poetry 610 $amanuscripts 610 $aMarie Darrieussecq 610 $amaterial ecocriticism 610 $aMaurice Merleau-Ponty 610 $ameta-autobiography 610 $ametamorphosis 610 $amimesis 610 $aMoby-Dick 610 $amole 610 $aMontaigne 610 $amore-than-human geography 610 $amulti-perspective narration 610 $amultispecies ethnography 610 $amusic 610 $amyth 610 $an/a 610 $anarrative 610 $anarrative representation 610 $anarrative voice 610 $anarratology 610 $anatural history 610 $anon-human 610 $anon-human focalizer 610 $anon-human narrators 610 $anon-verbal communication 610 $aNovela del casamiento engan?oso 610 $aNovelas ejemplares 610 $aparody 610 $apig 610 $aPincher Martin 610 $aplay theory 610 $aplot 610 $aPlutarch 610 $apoetics of knowledge 610 $apoliteness 610 $apostcolonial German literature 610 $aposthumanism 610 $aPythagoras 610 $arelationality 610 $arepetition 610 $arhetoric 610 $aRichard Adams 610 $arooster 610 $aRussian literature 610 $ascience fiction 610 $aself-narratives 610 $aSiglo de Oro 610 $asinging mice 610 $asound effects 610 $aspace 610 $aspeaking animals 610 $aspeaking-for 610 $aspecies 610 $atalking animal stories 610 $atalking dogs 610 $aTEK 610 $aThe Plague Dogs 610 $aThe Wind on the Moon 610 $atime 610 $aTolstoy 610 $atransformation 610 $atrauma theory 610 $aTruismes 610 $aunreliability 610 $aUwe Timm 610 $aWerner Herzog 610 $aWhite God 610 $aworld literature 610 $aworldviews 610 $aXanthus 610 $azoology 610 $azoopoetics 615 7$aAnimals & society 615 7$aBiology, life sciences 615 7$aResearch & information: general 700 $aJacobs$b Joela$4edt$01311316 702 $aJacobs$b Joela$4oth 906 $aBOOK 912 $a9910557108103321 996 $aAnimal Narratology$93030236 997 $aUNINA