LEADER 03141nam 2200433 450 001 9910555172303321 005 20201011091815.0 010 $a1-5231-4400-9 010 $a1-119-21390-8 010 $a1-119-21389-4 010 $a1-119-21395-9 035 $a(CKB)4330000000009335 035 $a(MiAaPQ)EBC6231560 035 $a(EXLCZ)994330000000009335 100 $a20201011d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPackaging technology and engineering $epharmaceutical, medical and food applications /$fDipak Kumar Sarker 210 1$aHoboken, New Jersey ;$aWest Sussex, England :$cWiley,$d[2020] 210 4$dİ2020 215 $a1 online resource (519 pages) 311 $a1-119-21391-6 320 $aIncludes bibliographical references and index. 327 $aHistorical perspective and evolution -- Chemical engineering of packaging materials -- Material science and chemistry -- The physics of packaging materials -- Engineering product : design, formation and machining -- Packaging for various applications -- Food, pharmaceutical and medical packaging -- Suppliers and manufacturers of packaging -- Problems : questions, calculations, estimates and dilemmas. 330 $a"Use of packaging is often thought of as an industrial age concept but this is entirely untrue. In more ancient times products of economic or nutritional value were always wrapped in a suitable material to convey the need to protect the contents. The Roman emperors and Byzantine kings frequently wrapped precious good in all manner of materials from woven rattan baskets to carved and gilded in-laid ebony boxes. Expensive luxury goods such as chalices, and ceremonial goods are almost always stored in a suitable presentation case that demonstrated the value of the product contained within. Perfumes, chrism oils and ceremonial jewellery has always been containered in sculpted and carved lidded-boxes and glazed pottery. The use of bespoke packaging is really a modern age phenomenon. However, the footsteps of packaging use began with leaves and birch bark and other natural materials. In antiquity and prehistoric times humans wrapped their foods in crudely fashioned carriers and containers but also pelts and hides. Mass production of containers later involved woven materials e.g. rushes and reeds to create baskets and carriers but also the use of, textiles, pottery and bronze amphora and carved objects e.g. ivory, antler horn and wood. Recent estimates place "crude glass" or vitrified materials and wood packaging use to at least 3000 BC and these artifacts come from the Indus Valley civilisations and Mesopotamia"--$cProvided by publisher. 606 $aDrugs$xPackaging$xQuality control 615 0$aDrugs$xPackaging$xQuality control. 676 $a615.18 700 $aSarker$b Dipak K.$0966662 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910555172303321 996 $aPackaging technology and engineering$92817359 997 $aUNINA LEADER 04884nam 2201057 450 001 9910819550503321 005 20180717095641.0 010 $a1-78533-729-7 024 7 $a10.1515/9781785337291 035 $a(CKB)3790000000540737 035 $a(MiAaPQ)EBC5191390 035 $a(DE-B1597)635978 035 $a(DE-B1597)9781785337291 035 $a(EXLCZ)993790000000540737 100 $a20180116h20182018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 04$aThe ethics of seeing $ephotography and twentieth-century German history /$fedited by Jennifer Evans, Paul Betts, and Stefan-Ludwig Hoffmann 210 1$aNew York, [New York] ;$aOxford, [England] :$cBerghahn Books,$d2018. 210 4$dİ2018 215 $a1 online resource (294 pages) $cillustrations (some color), photographs 225 1 $aStudies in German History ;$vVolume 21 311 $a1-78920-518-2 311 $a1-78533-728-9 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aThoughts on photography and the practice of history / Elizabeth Edwards -- Seeing the 'savage' and the suspension of time : photography, war and concentration camps in southwest Africa, 1904-1908 / Claudia Siebrecht -- The "face of war" in Weimar visual culture / Annelie Ramsbrock -- Documenting Heimkehr : photography, displacement and "homecoming" in the Nazi resettlement of ethnic Germans, 1939-1940 / Elizabeth Harvey -- Visible trophies of war : German occupiers' photographic perceptions of France, 1940-44 / Julia Torrie -- Gazing at ruins : German defeat as visual experience / Stefan-Ludwig Hoffmann -- Edmund Kesting's polyphonic portraits & the abstract face of the socialist self in East Germany / Sarah E. James -- Seeing subjectivity : erotic photograph and the optics of desire / Jennifer Evans -- Photographing reurbanization in West Berlin, 1977-84 / Anna Ross -- The diversification of East Germany's visual culture / Candice M. Hamelin -- The intimacy of revolution : 1989 in pictures / Paul Betts. 330 $aThroughout Germany?s tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate photography?s multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past. 410 0$aStudies in German history ;$vVolume 21. 606 $aPhotography$zGermany$xHistory$y20th century 606 $aPhotography$xSocial aspects$zGermany$xHistory$y20th century 606 $aPhotography$xMoral and ethical aspects$zGermany$xHistory$y20th century 606 $aPhotography in historiography 607 $aGermany$xHistory$y20th century 610 $aactivist. 610 $aaesthetics. 610 $aamateur. 610 $aamerica. 610 $aart. 610 $aberlin. 610 $acensorship. 610 $acommunity. 610 $aconcentration camps. 610 $aculture. 610 $ademocracy. 610 $adiary. 610 $adocumentary. 610 $aethics. 610 $aethnic. 610 $aeuropean history. 610 $aeveryday. 610 $aexhibition. 610 $agerman studies. 610 $agermany. 610 $agovernment. 610 $ahistorian. 610 $aholocaust. 610 $ajennifer evans. 610 $amilitary. 610 $anazi. 610 $apaul betts. 610 $aphotography. 610 $apolitical. 610 $aportrait. 610 $aprofessional. 610 $arepresentation. 610 $arevolution. 610 $ascholarly. 610 $asocialist. 610 $asociety. 610 $astefan ludwig hoffmann. 610 $avisual. 610 $awartime. 615 0$aPhotography$xHistory 615 0$aPhotography$xSocial aspects$xHistory 615 0$aPhotography$xMoral and ethical aspects$xHistory 615 0$aPhotography in historiography. 676 $a770.0943 686 $aAP 99010$qSEPA$2rvk 702 $aEvans$b Jennifer V.$f1970- 702 $aBetts$b Paul$f1963- 702 $aHoffmann$b Stefan-Ludwig 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819550503321 996 $aThe ethics of seeing$94061609 997 $aUNINA