LEADER 02024oam 22004574a 450 001 9910554254003321 005 20230630000055.0 010 $a0-8232-9394-7 024 7 $a10.1515/9780823293940 035 $a(CKB)4100000011749246 035 $a(OCoLC)1237411180 035 $a(MdBmJHUP)muse93715 035 $a(DE-B1597)577380 035 $a(DE-B1597)9780823293940 035 $a(MiAaPQ)EBC6471457 035 $a(Au-PeEL)EBL6471457 035 $a(EXLCZ)994100000011749246 100 $a20210213d2021 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNow What?$eQuandaries of Art and the Radical Past 210 1$aNew York :$cFordham University Press,$d2021. 210 4$dİ2021. 215 $a1 online resource (1 online resource 235 p.) 300 $aDescription based upon print version of record. 327 $a4 Whoever Knows the Truth Lies After October 1977, West Germany, in Germany in Autumn and October 18, 1977 -- Conclusion: The Undersong of Our Histories -- Acknowledgments -- Notes 327 $aCover -- NOW WHAT? -- Title -- Copyright -- Dedication -- Contents -- Introduction: Being Afterward -- 1 Lupe at the Mic After January 1959, Havana, Cuba, in Tatlin's Whisper #6 -- 2 The Tenuous Moonlight of an Unrequited Past After September 11, 1973, Santiago de Chile, in The Battle of Chile, Chile: Obstinate Memory, and Nostalgia for the Light -- 3 Something That Opens a Wish and Closes a Door After December 1989, Romania, in Videograms of a Revolution, Autobiography of Nicolae Ceaus?escu, and 12:08 East of Bucharest 330 $aA profound and affecting meditation on art and revolution. 606 $aArts and history 615 0$aArts and history. 676 $a709.450904 700 $aWeiss$b Rachel$01217362 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910554254003321 996 $aNow What$92815433 997 $aUNINA