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101 0 $aeng
135   $aurcn|||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe pensive image $eart as a form of thinking /$fHanneke Grootenboer$b[electronic resource]
210  1$aChicago :$cThe University of Chicago Press,$d2021.
215   $a1 online resource (211 pages) $cillustrations (some colour)
225 1 $aChicago scholarship online
300   $aAlso issued in print: 2021.
311   $a0-226-71795-X 
320   $aIncludes bibliographical references and index.
327   $aArt as a form of thinking -- Defining the pensive image. Theorizing stillness ; tracing the Denkbild -- Painting as philosophical reflection. Room for reflection : interior and interiority; The profundity of still life; Painting as a space for thought -- Painting's wonder.
330 8 $aWhile the philosophical dimension of painting has long been discussed, a clear case for painting as a form of visual thinking has yet to be made. Traditionally, vanitas still life paintings are considered to raise ontological issues while landscapes direct the mind towards introspection. Grootenboer moves beyond these considerations to focus on what remains unspoken in painting, the implicit and inexpressible that manifests in a quality she calls pensiveness.
410  0$aChicago scholarship online.
606   $aArt$xPhilosophy
606   $aPainting$xPhilosophy
606   $aArt, Modern$xHistory
606   $aPainting, Modern$xHistory
610   $a17th century Dutch art.
610   $aaesthetics.
610   $aart and contemplation.
610   $aart and interiority.
610   $aart and thought.
610   $aart as thinking.
610   $aart.
610   $aphilosophy.
610   $asister arts.
610   $atranshistorical.
615  0$aArt$xPhilosophy.
615  0$aPainting$xPhilosophy.
615  0$aArt, Modern$xHistory.
615  0$aPainting, Modern$xHistory.
676   $a700.1
700   $aGrootenboer$b Hanneke$01218917
801  0$bStDuBDS
801  1$bStDuBDS
906   $aBOOK
912   $a9910554219303321
996   $aThe pensive image$92818753
997   $aUNINA