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035   $a(OCoLC)868220158
035   $a(MdBmJHUP)muse29466
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100   $a20100528d2010      uy             0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aImagining Minds$eThe Neuro-Aesthetics of Austen, Eliot, and Hardy /$fKay Young
210  1$aColumbus :$cOhio State University Press,$d2010.
210  4$dİ2010.
215   $a1 online resource (x, 218 p. )
225 0 $aTheory and interpretation of narrative
311   $a0-8142-5174-9 
320   $aIncludes bibliographical references (p. 197-204) and index.
327   $aIntroduction : the integrated mind -- Jane Austen and self-consciousness -- "A mind lively and at ease" : imagination and Emma -- "You pierce my soul" : feeling embodied and persuasion -- George Eliot and other-consciousness -- "A voice like music" : the problem of other minds and Middlemarch -- "Beloved ideas made flesh" : the embodied mind and Daniel Deronda -- Thomas Hardy and nonintrospective consciousness -- "Now I am melancholy mad" : mood and Jude the obscure -- "That blue narcotic haze" : dreams, dissociation, and Tess of the d'Urbervilles -- Coda : the neurology of narrative.
410  0$aTheory and interpretation of narrative series.
606   $aMind-brain identity theory
606   $aOther minds (Theory of knowledge)
606   $aConsciousness in literature
606   $aEnglish literature$y19th century$xHistory and criticism
608   $aElectronic books. 
615  0$aMind-brain identity theory.
615  0$aOther minds (Theory of knowledge)
615  0$aConsciousness in literature.
615  0$aEnglish literature$xHistory and criticism.
676   $a823/.809353
700   $aYoung$b Kay$f1959-$01213969
801  0$bMdBmJHUP
801  1$bMdBmJHUP
906   $aBOOK
912   $a9910552773503321
996   $aImagining Minds$92803704
997   $aUNINA