LEADER 03040nam 2200409 450 001 9910552762003321 005 20230307175444.0 010 $a1-61249-292-4 035 $a(CKB)4340000000017973 035 $a(NjHacI)994340000000017973 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/90428 035 $a(EXLCZ)994340000000017973 100 $a20221223d2013 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aFashioning Jews $eclothing, culture, and commerce /$fedited by Leonard J. Greenspoon 210 $cPurdue University Press$d2013 210 1$aWest Lafayette, Indiana :$cPurdue University Press,$d[2013] 210 4$d©2013 215 $a1 online resource (xvi, 205 pages) 330 $aThis volume presents papers delivered at the 24th Annual Klutznick Harris Symposium, held at Creighton University in October 2011. The contributors look at all aspects of the intimate relationship between Jews and clothing, through case studies from ancient, medieval, recent, and contemporary history. Papers explore topics ranging from Jewish leadership in the textile industry, through the art of fashion in nineteenth-century Vienna, to the use of clothing as a badge of ethnic identity, in both secular and religious contexts. Contents: Shmattas in the North, Shmattas in the South: The Civil War and the Birth of the American Clothing Industry (Adam Mendelsohn); Weimar Jewish Chic from Wigs to Furs: Jewish Women and Fashion in 1920s Germany (Kerry Wallach); Jewish Photographers and the Body in the Weimar Republic (Nils Roemer); Female Tallitot: Creating American Jewish Women?s Religious Experience through Fashion (Rachel Gordan); Clothes and the Weaving of American Jewish Comedy (Ted Merwin); The Jewish Badge in Renaissance Italy: The Iconic O, the Yellow Hat, and the Paradoxes of Distinctive Sign Legislation (Flora Cassen); How a Rabbi Should Be Dressed: The Question of Cassock and Clerical Clothing among Italian Rabbis from the Renaissance to Contemporary Times (Asher Salah); The ?Disinherited? Priesthood: A Look into Biblical Israel?s Unshod Priest (Christine Palmer); Costume and Identity in the Dura Europos Synagogue Paintings (Steven Fine); Picturing Vienna?s New Woman: Madame d?Ora meets Ella Zwieback-Zirner (Lisa Silverman); Aboriginal Yarmulkes, Ambivalent Attire, and Ironies of Contemporary Jewish Identity (Eric Silverman); Fashioning Jews on the Screen: The Impact of Dress on Crafting the Jewish Image in Film and Television (Brian Amkraut) 517 $aFashioning Jews 606 $aJews$xCivilization 610 $aNeedlework & fabric crafts 615 0$aJews$xCivilization. 676 $a909.04924 700 $aGreenspoon$b Leonard J$4edt$0895122 702 $aGreenspoon$b Leonard J. 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910552762003321 996 $aFashioning Jews$91999936 997 $aUNINA LEADER 00884nam0-22002771i-450 001 990004838650403321 005 20230621095505.0 035 $a000483865 035 $aFED01000483865 035 $a(Aleph)000483865FED01 100 $a19990530g19319999km-y0itay50------ba 101 0 $aita$aspa 102 $aIT 105 $ay-------001yy 200 1 $aComedia Famosa de lo que hay que fiar del mundo$fLope Félix de Vega Carpio$gintroduzione, testo e commento a cura di Antonio Gasparetti 210 $aPalermo$cAnt. Trimarchi$d1931 215 $a221 p.$d20 cm 700 1$aVega,$bLope de$f<1562-1635>$0221921 702 1$aGasparetti,$bAntonio 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004838650403321 952 $aPX VE 12$bFil. Mod. 521$fFLFBC 959 $aFLFBC 996 $aComedia Famosa de lo que hay que fiar del mundo$9517177 997 $aUNINA