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035   $a(CKB)5600000000014840
035   $a(OCoLC)1290013784
035   $a(MdBmJHUP)musev2_93943
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/88353
035   $a(EXLCZ)995600000000014840
100   $a20100404d1989      uy             0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aLiterary Folkloristics and the Personal Narrative$fSandra Dolby Stahl
210   $cIndiana University Press$d1988
210  1$d1989.$cIndiana University Press,$aBloomington :
215   $a1 online resource (1 online resource xi, 148 pages) $cillustrations
311   $a0-253-05421-4 
330   $aDrawing upon theories of folkloristic performance, deconstructive criticism, and reader-response theory, Sandra Dolby Stahl has developed a unique methodology for the examination of oral personal narratives, stories that people tell based on their own experiences. Such stories are not traditional in the usual sense but are instead a creative response to experience and the tradition of narration. Hearing such stories is also a creative response, one that requires the perception of traditions or "allusions" in the story and its performance. It is to these interpretive allusions that our attention is drawn throughout the book. Stahl begins her analysis with a discussion of the genre of personal narrative and the seemingly universal practice of turning events and experiences into narratives. She also discusses the state of interpretive research in folkloristics. Folk-narrative research has generally been analytical, attending to questions of form, structure, style, or function; few interpretive studies of folk narrative have been published. Because the personal narrative has only recently become a part of folklore research, Stahl's interpretive attention to the genre is unprecedented. Her study includes two lengthy chapters in which two transcribed narrative texts are meticulously analyzed and subjectively interpreted-as allusion upon allusion creates meaning for the listener (and reader).
606   $aLiteratuurkritiek$2gtt
606   $aMondelinge literatuur$2gtt
606   $aTales$xStructural analysis$2fast$3(OCoLC)fst01142258
606   $aStorytelling$2fast$3(OCoLC)fst01134169
606   $aOral tradition$2fast$3(OCoLC)fst01047117
606   $aNarration (Rhetoric)$2fast$3(OCoLC)fst01032927
606   $aFolklore$xMethodology$2fast$3(OCoLC)fst00930329
606   $aFolk literature$2fast$3(OCoLC)fst00928888
606   $aNarration
606   $aArt de conter
606   $aContes$xAnalyse structurale
606   $aTradition orale
606   $aFolklore$xMethodologie
606   $aLitterature populaire$xHistoire et critique
606   $aNarration (Rhetoric)
606   $aStorytelling
606   $aTales$xStructural analysis
606   $aOral tradition
606   $aFolklore$xMethodology
606   $aFolk literature$xHistory and criticism
608   $aCriticism, interpretation, etc.
610   $aFolklore, myths & legends
615 17$aLiteratuurkritiek.
615 17$aMondelinge literatuur.
615  7$aTales$xStructural analysis.
615  7$aStorytelling.
615  7$aOral tradition.
615  7$aNarration (Rhetoric)
615  7$aFolklore$xMethodology.
615  7$aFolk literature.
615  6$aNarration.
615  6$aArt de conter.
615  6$aContes$xAnalyse structurale.
615  6$aTradition orale.
615  6$aFolklore$xMethodologie.
615  6$aLitterature populaire$xHistoire et critique.
615  0$aNarration (Rhetoric)
615  0$aStorytelling.
615  0$aTales$xStructural analysis.
615  0$aOral tradition.
615  0$aFolklore$xMethodology.
615  0$aFolk literature$xHistory and criticism.
700   $aStahl$b Sandra K. D$01214096
801  0$bMdBmJHUP
801  1$bMdBmJHUP
906   $aBOOK
912   $a9910552758103321
996   $aLiterary Folkloristics and the Personal Narrative$92803848
997   $aUNINA