LEADER 04440nam 22006855 450 001 9910552743103321 005 20240312141323.0 010 $a9783030924621 010 $a3030924629 024 7 $a10.1007/978-3-030-92462-1 035 $a(MiAaPQ)EBC6916366 035 $a(Au-PeEL)EBL6916366 035 $a(CKB)21391657300041 035 $a(DE-He213)978-3-030-92462-1 035 $a(EXLCZ)9921391657300041 100 $a20220309d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBodies, Noise and Power in Industrial Music /$fedited by Jason Whittaker, Elizabeth Potter 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (208 pages) 225 1 $aPop Music, Culture and Identity,$x2634-6621 300 $aIncludes index. 311 08$aPrint version: Whittaker, Jason Bodies, Noise and Power in Industrial Music Cham : Springer International Publishing AG,c2022 9783030924614 327 $a1. My Body Disgusts Me: Swans, Biopolitics, and the Liberation of the Body; James McCrea -- 2. Nadafa: Women's Bodies in Arab Hip Hop and Industrial Music; Steve Collins, Rachael Gunn, Susie Khamis -- 3. "The Odds of the Body": Clipping and Escapaing the Power Hold on the Black Body; Daniel Gillespie -- 4. All Too Human: Industrial Bodies and Anti-Bodies in the Time of Aids; Jason Whittaker -- 5. Cabaret Voltaire: Industrial Dada; Ben Eyes -- 6. Chance Meeting: disembodied voices in the work of Nurse with Wound and Cabaret Voltaire; Rupert Loydell -- 7. The Last Attempt at Paradise: Early Industrial Culture in Kansas; Francis X. Connor -- 8. Industrial Music and Inner Experience: Aural Abrasion as a Window to Post-Subjectivity; Jay Fraser -- 9. The Occultural Side of Industrial: far from its Origins to Industrial Black Metal; M. Cecilia Marchetto Santorun -- 10. "Happiness and Slavery", or Industrial Erotic; Elizabeth Potter. 330 $aThis edited collection delves into the industrial music genre, exploring the importance of music in (sub)cultural identity formation, and the impact of technology on the production of music. With its roots as early as the 1970s, industrial music emerged as a harsh, transgressive, and radically charged genre. The soundscape of the industrial is intense and powerful, adorned with taboo images, and thematically concerned with authority and control. Elemental to the genre is critical engagement with configurations of the body and related power. Adopting an interdisciplinary approach, this collection analyses the treatment of subjects like the Body (animal, human, machine), Noise (rhythmic, harsh) and Power (authority, institutions, law) in a variety of industrial music's elements. Throughout the collection, these three subjects are interrogated by examining lyrics, aesthetics, music videos, song writing, performance and audience reception. The chapters have been carefully selected to produce a diverse and intersectional perspective, including work on Black industrial musicians and Arabic and North African women's collaborations. Rather than providing historical context, the contributors interpret the finer elements of the aesthetics and discourses around physical bodies and power as expressed in the genre, expanding the 'industrial' boundary and broadening the focus beyond white European industrial music. . 410 0$aPop Music, Culture and Identity,$x2634-6621 606 $aPopular music 606 $aSex 606 $aQueer theory 606 $aPerforming arts 606 $aTheater 606 $aPopular Music 606 $aGender Studies 606 $aQueer Studies 606 $aTheatre and Performance Arts 615 0$aPopular music. 615 0$aSex. 615 0$aQueer theory. 615 0$aPerforming arts. 615 0$aTheater. 615 14$aPopular Music. 615 24$aGender Studies. 615 24$aQueer Studies. 615 24$aTheatre and Performance Arts. 676 $a741.648 676 $a741.648 702 $aWhittaker$b Jason$f1969- 702 $aPotter$b Elizabeth 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910552743103321 996 $aBodies, noise and power in industrial music$92952521 997 $aUNINA