LEADER 03785nam  2200673Ia 450 
001 9910524878003321
005 20200520144314.0
010   $a1-4214-0855-4
035   $a(CKB)3170000000060712
035   $a(EBL)3318695
035   $a(SSID)ssj0000860828
035   $a(PQKBManifestationID)11429713
035   $a(PQKBTitleCode)TC0000860828
035   $a(PQKBWorkID)10898401
035   $a(PQKB)11653432
035   $a(MiAaPQ)EBC3318695
035   $a(OCoLC)859687818
035   $a(MdBmJHUP)muse25402
035   $a(EXLCZ)993170000000060712
100   $a20120709d2012      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aSounding imperial $epoetic voice and the politics of empire, 1730-1820 /$fJames Mulholland
205   $a1st ed.
210   $aBaltimore $cJohns Hopkins University Press$d2012
215   $a1 online resource (232 p.)
300   $aDescription based upon print version of record.
311   $a1-4214-0854-6 
320   $aIncludes bibliographical references and index.
327   $a""Contents""; ""List of Illustrations""; ""Acknowledgments""; ""Introduction: The Global Aesthetics of Poetic Voice""; ""1. Thomas Gray, Virtual Authorship, and the Performed Voice""; ""Authoring Graya???s a???Elegya???""; ""Performing Graya???s a???Elegya???""; ""Impersonating the Bard?""; ""Wildness and Welsh Prosody""; ""Quotation Marks""; ""(Un)Editing the Bards""; ""2. Wales, Public Poetry, and the Politics of Collective Voice""; ""Bardic Nationalism Reconsidered""; ""The Aboriginal Aesthetics of Iolo Morganwg""; ""Listening to the Welsh Past""; ""Dead Voices Reanimated""
327   $a""3. Scotland and the Invention of Voice""""Primitive Passions, Poetry Addiction, History""; ""Ambiguous Speech""; ""Writing, Re-performance, and Restored Voices""; ""Intimate Hailing""; ""Ossiana???s Afterlife""; ""4. Impersonating Native Voices in Anglo-Indian Poetry""; ""William Jones and the Fountainhead of Verse""; ""Making the Subaltern Speak""; ""Rewriting Graya???s a???The Barda??? in India""; ""Dislocated Orientalism""; ""Coda: Reading the Archive of the Inauthentic""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""
327   $a""L""""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""V""; ""W""; ""Z""
330   $aSounding Imperial offers a more nuanced sense of poetry's unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive.
606   $aEnglish poetry$y18th century$xHistory and criticism
606   $aEnglish poetry$y19th century$xHistory and criticism
606   $aImperialism in literature
606   $aPolitical poetry$xHistory and criticism
606   $aPolitics and literature$xHistory$y18th century
606   $aPolitics and literature$xHistory$y19th century
606   $aPolitics in literature
615  0$aEnglish poetry$xHistory and criticism.
615  0$aEnglish poetry$xHistory and criticism.
615  0$aImperialism in literature.
615  0$aPolitical poetry$xHistory and criticism.
615  0$aPolitics and literature$xHistory
615  0$aPolitics and literature$xHistory
615  0$aPolitics in literature.
676   $a821.709
700   $aMulholland$b James$f1975-$01097540
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910524878003321
996   $aSounding Imperial$92617984
997   $aUNINA