LEADER 02404oam 22005294a 450 001 9910524863803321 005 20231206111719.0 010 $a9780814343708 010 $a0814343708 035 $a(CKB)3840000000329659 035 $a(MiAaPQ)EBC5526559 035 $a(OCoLC)1111948014 035 $a(MdBmJHUP)muse59950 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/93674 035 $a(Perlego)2998752 035 $a(EXLCZ)993840000000329659 100 $a19871117d1988 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHarry Bertoia, Printmaker$eMonotypes and Other Monographics /$fJune Kompass Nelson 205 $aGreat Lakes Books ed. 210 $cWayne State University Press$d2017 210 1$aDetroit :$cWayne State University Press,$d1988. 210 4$dİ1988. 215 $a1 online resource (234 pages) $cillustrations 225 1 $aGreat Lakes books 300 $aIncludes index. 311 08$a9780814343692 311 08$a0814343694 320 $aBibliography: p. 227-229. 330 $aThe seventy-nine monotypes in this catalogue represent the principal styles and themes that emerged not only in Harry Bertoia's printmaking, but in his sculpture as well. June Kompass Nelson, author of Harry Bertoia, Sculptor, analyzes the graphic works and places them in the context of Bertoia's total oeuvre, with particular regard to their relationship with his sculpture. A teacher of metalwork and printmaking at the Cranbrook Academy of Arts in Bloomfield Hills, Michigan, Bertoia began working in monotype in 1940-nearly a decade before his first attempts at sculpture-and continually returned to the medium until his death in 1978. Nelson's introduction, biographical material, and well-documented chronology contribute to the portrait of a Michigan artist of international repute who maintained his "regionalist sensibility". 410 0$aGreat Lakes books. 606 $aArchitecture$2bicssc 610 $aArchitecture 615 7$aArchitecture 676 $a769.924 700 $aNelson$b June Kompass$01115782 701 $aBertoia$b Harry$01115783 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910524863803321 996 $aHarry Bertoia, Printmaker$92642828 997 $aUNINA