LEADER 03586oam 22006494a 450 001 9910524853303321 005 20250526202843.0 010 $a0-253-05585-7 035 $a(CKB)5600000000001704 035 $a(OCoLC)1259586703 035 $a(MdBmJHUP)muse92560 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/88400 035 $a(oapen)doab88400 035 $a(EXLCZ)995600000000001704 100 $a20100429d1986 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aJoseph Haydn's Keyboard Music$eSources and Style /$fA. Peter Brown 210 $cIndiana University Press$d1986 210 1$aBloomington :$cIndiana University Press,$d1986. 210 4$dİ1986. 215 $a1 online resource (1 online resource xxiv, 450 pages) $cillustrations 330 $aHaydn expert A. Peter Brown offers the first detailed and comprehensive study of the composer's keyboard works, encompassing the solo sonatas, keyboard trios, accompanied divertimentos , concertinas and Klavierstücke. Brown first establishes that Haydn was an effective performer on the keyboard instruments of his day. Then, drawing on the latest findings, he devotes two essays to questions of authenticity and dating of keyboard works attributed to Haydn, and another to the central issue for eighteenth- century keyboard music: which instrument is most appropriate for a given work? In investigating the possible influences on Haydn of the Viennese tradition and of C. P. E. Bach, the author concludes that Haydn learned from both but put his own stamp on everything to which he was exposed. In the last three essays, Brown traces the development of Haydn's musical language, describing the relationship of certain genres in the composer's oeuvre and providing a chronological examination of the structure and style of the works in each category. Haydn's contributions to the symphony and the string quartet have long been acknowledged. This meticulously documented study now celebrates Haydn's accomplishments in the realm of keyboard music. 606 $aKlaviermusik$2gnd 606 $aPianomuziek$2gtt 606 $aKeyboard instrument music$2fast$3(OCoLC)fst00986987 606 $aConcertos$2fast$3(OCoLC)fst00873010 606 $aChamber music$2fast$3(OCoLC)fst00851938 606 $aConcerto$y18e siecle 606 $aMusique de chambre$y18e siecle$xHistoire et critique 606 $aInstrument a? clavier, Musique d'$y18e siecle$xHistoire et critique 606 $aConcertos$y18th century$xHistory and criticism 606 $aChamber music$y18th century$xHistory and criticism 606 $aKeyboard instrument music$y18th century$xHistory and criticism 608 $aCriticism, interpretation, etc. 608 $aMusic criticism and reviews.$2lcgft 615 0$aKlaviermusik 615 14$aPianomuziek. 615 0$aKeyboard instrument music. 615 0$aConcertos. 615 0$aChamber music. 615 0$aConcerto 615 4$aMusique de chambre$xHistoire et critique. 615 4$aInstrument a? clavier, Musique d'$xHistoire et critique. 615 0$aConcertos$xHistory and criticism. 615 0$aChamber music$xHistory and criticism. 615 0$aKeyboard instrument music$xHistory and criticism. 700 $aBrown$b A. Peter$01139483 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910524853303321 996 $aJoseph Haydn's Keyboard Music$92676818 997 $aUNINA