LEADER 02097oam 22005054a 450 001 9910524701003321 005 20230621140810.0 010 $a0-8018-0048-X 010 $a1-4214-3697-3 035 $a(CKB)4100000010461121 035 $a(OCoLC)1133205772 035 $a(MdBmJHUP)muse82408 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/88997 035 $a(MiAaPQ)EBC29139041 035 $a(Au-PeEL)EBL29139041 035 $a(oapen)doab88997 035 $a(OCoLC)1526860157 035 $a(EXLCZ)994100000010461121 100 $a20700928d1968 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Dome and the Rock$eStructure in the Poetry of Wallace Stevens 205 $a1st ed. 210 $cJohns Hopkins University Press$d2020 210 1$aBaltimore,$cJohns Hopkins Press$d[1968] 210 4$dİ[1968] 215 $a1 online resource (xxxi, 334 p.) 311 08$a1-4214-3698-1 311 08$a1-4214-3699-X 320 $aBibliographical footnotes. 330 $aOriginally published in 1968. In The Dome and the Rock: Structure in the Poetry of Wallace Stevens, James Baird traces the process of Wallace Steven's Grand Poem and the total structure that it accomplished in language. In the words of Professor Baird, "The full art of Stevens is organized with architectural precision. The shape of the mind becomes a building, the framework of which is founded in a willed symmetry of design." In The Dome and the Rock, James Baird exposes the capacity of Wallace Stevens to design his poetry in a manner similar to an architect, and he "reveals the craftsmanship of [Wallace's] acts as builder." 606 $aPoetics$xHistory$y20th century 608 $aElectronic books. 615 0$aPoetics$xHistory 676 $a811/.5/2 700 $aBaird$b James$0465056 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910524701003321 996 $aThe Dome and the Rock$92781904 997 $aUNINA