LEADER 02760oam 22004454a 450 001 9910524683503321 005 20241204161951.0 010 $a0-253-05577-6 035 $a(CKB)5600000000001728 035 $a(OCoLC)1259587860 035 $a(MdBmJHUP)muse92527 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/88392 035 $a(EXLCZ)995600000000001728 100 $a20100324d1988 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCamera Politica$eThe Politics and Ideology of Contemporary Hollywood Film /$fby Michael Ryan and Douglas Kellner 210 $cIndiana University Press$d1987 210 1$aBloomington, Ind. :$cIndiana University Press,$d1988. 210 4$dİ1988. 215 $a1 online resource (1 online resource xiii, 328 pages) $cillustrations 330 $aCamera Politica is a comprehensive study of Hollywood film during a period of tremendous change in American history. A unique combination of history, political theory, and film analysis, Camera Politica argues that Hollywood film provides access to the matrix of cultural, economic, political, and psychological factors which undermined liberalism and led to the rise of conservatism in this era. Camera Politica combines the deconstructive analysis of film and culture with the Marxist critique of ideology, and it brings together social scientific research, contemporary psychoanalytic theory, discourse analysis, and textual criticism. The book will be of value to political scientists for its structural analysis of the cultural roots of political change, to historians for its account of the internal dynamics that caused the failure of liberalism and the rise of conservatism in the 1970s and 1980s, to social theorists for its revision of the received way of understanding the operations of cultural domination, and to film scholars for its accessible examples of deconstructive film analysis and for its inclusive account of the major genres, films, and directors of this era in Hollywood. 606 $aMotion pictures$xPolitical aspects$2fast$3(OCoLC)fst01027353 606 $aMotion pictures$xAspect politique$zE?tats-Unis 606 $aMotion pictures$xPolitical aspects$zUnited States 607 $aUnited States$2fast 615 0$aMotion pictures$xPolitical aspects. 615 0$aMotion pictures$xAspect politique 615 0$aMotion pictures$xPolitical aspects 700 $aRyan$b Michael$f1951-$048612 701 $aKellner$b Douglas$f1943-$0549848 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910524683503321 996 $aCamera Politica$92772178 997 $aUNINA LEADER 05913nam0 22003853i 450 001 VAN00241586 005 20250312034709.93 017 70$2N$a9781350217652 100 $a20220225d2021 |0itac50 ba 101 $aeng 102 $aGB 105 $a|||| ||||| 200 1 $aConfucius? Courtyard$eArchitecture, Philosophy and the Good Life in China$fXing Ruan 210 $aLondon$cBloomsbury$d2021 215 $a320 p.$cill.$d22 cm 316 $aE-book ? Accesso al full-text attraverso riconoscimento IP di Ateneo, proxy e/o Shibboleth.$5IT-IT-CE0107 CONSE-BOOK SBAARCH 330 $aFor almost three thousand years, Chinese life ? from the city and the imperial palace, to the temple, the market, and the family home ? was configured around the courtyard, as were the accomplishments of China?s artistic, philosophical, and institutional elites. Confucius? Courtyard tells the story of how this most singular and persistent architectural form holds the key to understanding, even today, much of Chinese society and culture. Part architectural history, and part introduction to the cultural and philosophical history of China, the book explores the Chinese view of the world, and reveals the extent to which this is inextricably intertwined with the ancient concept of the courtyard, an architectural element and a way of life which has been almost entirely overlooked in China since 1949, and in the West for centuries. Along the way, it provides an accessible introduction to the Confucian doctrine of zhongyong (?the Middle Way?), and the Chinese principles of the virtuous good life, and shows how these can only be fully understood through the humble courtyard ? a space which is grounded in the earth, yet open to the heavens. Erudite and poetic, Confucius? Courtyard weaves together architecture, philosophy, and cultural history to explore what lies at the very heart of Chinese civilization. How did the most populous nation on earth manage to live a virtuous as well as pleasurable life without the blessing from awesome God? What was the moral bedrock of this largely secular civilization? The Chinese, with a sustained interest over three millennia, desired an equilibrium: enjoying an earthly life for what it?s worth while maintaining a certain awe below Heaven?s arch; participating actively in society and taking responsibility for one?s family while snatching a moment away to indulge in life?s pleasures, or retreating to one?s inner world; and staying put in the house while letting the mind and soul roam freely beyond it. They managed, somewhat nonchalantly, to do so in and about the confines of their courtyard. Pitching in the middle was not only a way of living, but also a state of mind, as preached by Confucius. The Chinese gentry, along with the populace at large, held dear this doctrine, as an art of avoiding extremes and respecting the enduring in life. Since saints and innate moral defects in humans are rare, the middle way, in the Chinese mind, is virtuous, for it represents not a compromize, but a propriety that is humanly achievable, hence reason. Armed with this guiding principle, well established as early as 500 BCE in Confucius time, the Chinese in the next two and half millennia did not bother to change radically their view of the world. Such peculiar, and extraordinary, longevity was housed by the equally static quadrangle enclosure ? the courtyard. From the house to their cosmic city, and anything in-between such as an imperial palace or a temple, market, workshop, theatre, and brothel, were all configured within the same walled compound. The Chinese saw no need to develop a bespoke building type to correspond to a special use, which the English took to an unparalleled level of specificity in the nineteenth century when work and living were separated, and assorted institutions emerged. This book, beginning with the celestial origin of the courtyard, embarks on a search for the meanings and shapes of Chinese life that, too, have been kept in check in the courtyard, secular but not materialistic. The middle way, as a philosophy, an artistic and political doctrine, and indeed a way of living, is staged in and about the courtyard in a time span from approximately 1000 BCE through to the middle of the twentieth century. Chinese life in this book, and especially the family and cultural life of the gentry, thematic and selective, unfolds in the courtyard following a chronology. The book is a history of the architecture of the Chinese courtyard as much as the life staged by it in all its facets. 606 $aAsian History, Cultural History, Architecture, World Architecture, Chinese Philosophy, Architectural History$3VANC036796$2AR 610 $aChinese philosophy$9KW:K 610 $aConfucius?$9KW:K 610 $aCourtyard architecture$9KW:K 610 $aThe good life$9KW:K 610 $aThe middle way$9KW:K 620 $aGB$dLondon$3VANL000015 700 1$aRuan$bXing$f1965-$3VANV197646$01082553 712 $aBloomsbury $3VANV144572$4650 790 1$aRuan, Xing <1965-...>$zRuan, Xing <1965->$3VANV197647 801 $aIT$bSOL$c20250314$gRICA 856 4 $uhttps://www.bloomsburycollections.com/book/confucius-courtyard-architecture-philosophy-and-the-good-life-in-china/$zE-book ? Accesso al full-text attraverso riconoscimento IP di Ateneo, proxy e/o Shibboleth. 899 $aBIBLIOTECA DEL DIPARTIMENTO DI ARCHITETTURA E DISEGNO INDUSTRIALE$1IT-CE0107$2VAN01 912 $fN 912 $aVAN00241586 950 $aBIBLIOTECA DEL DIPARTIMENTO DI ARCHITETTURA E DISEGNO INDUSTRIALE$d01CONS E-BOOK SBAARCH $e01EBA241586 20220225 E-book ? Accesso al full-text attraverso riconoscimento IP di Ateneo, proxy e/o Shibboleth. 996 $aConfucius? Courtyard$92598233 997 $aUNICAMPANIA