LEADER 03385oam 22006374a 450 001 9910524674003321 005 20210915034741.0 010 $a1-920677-16-X 035 $a(CKB)2550000001109066 035 $a(EBL)1318526 035 $a(OCoLC)854520710 035 $a(SSID)ssj0001101469 035 $a(PQKBManifestationID)11708160 035 $a(PQKBTitleCode)TC0001101469 035 $a(PQKBWorkID)11066858 035 $a(PQKB)11560576 035 $a(MdBmJHUP)muse30253 035 $a(Au-PeEL)EBL1318526 035 $a(CaPaEBR)ebr10736215 035 $a(CaONFJC)MIL505038 035 $a(PPN)268571295 035 $a(FR-PaCSA)88933566 035 $a(MiAaPQ)EBC1318526 035 $a(EXLCZ)992550000001109066 100 $a20130920e20132013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSounding the Cape Music, Identity and Politics in South Africa$fDenis-Constant Martin 205 $a1st ed. 210 1$aBaltimore, Maryland :$cProject Muse,$d2013. 210 4$dİ2013. 215 $a1 online resource (474 p.) 300 $aDescription based upon print version of record. 311 $a1-920489-82-7 311 $a1-299-73787-0 320 $aIncludes bibliographical references (pages 385-410) and index. 327 $aPart one: The emergence of Creolised identities: Chapter one: Music and identity: a theoretical prologue -- Chapter two: Cape Town's musics: a legacy of Creolisation -- Part two: The dialectics of separation and interweaving: Chapter three: Separation and interweaving in the 20th century: futile separations; Vincent Kolbe's childhood memories -- Chapter four: Separation and interweaving in the 20th century: fertile intertwining; Chris McGregor talks about the blue notes, jazz and South African society; "Soweto Sun", an interview with Rashid Vally by Denis-Constant Martin -- Chapter five: Two decades of freedom -- Chapter six: The musicians' discourse: Cape Town as a musical Potjiekos -- Conclusion: Recognising Creolisation? -- References -- Illustrations -- Musicians interviewed in 2007 and 2009 -- Index. 330 $aFor several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an i?identityi? which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social n? in this case pseudo-racial n? identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape T 606 $aPopular music$zSouth Africa$xHistory and criticism 606 $aMusic and state$zSouth Africa 606 $aMusic$xPolitical aspects$zSouth Africa 608 $aElectronic books. 615 0$aPopular music$xHistory and criticism. 615 0$aMusic and state 615 0$aMusic$xPolitical aspects 676 $a781.650968 700 $aMartin$b Denis-Constant$0519570 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910524674003321 996 $aSounding the Cape Music, Identity and Politics in South Africa$92605761 997 $aUNINA