LEADER 03464nam 2200685 450 001 996309148203316 005 20221206172616.0 010 $a3-11-042738-9 010 $a3-11-040210-6 024 7 $a10.2478/9783110402100 035 $a(CKB)3710000000346217 035 $a(SSID)ssj0001535943 035 $a(PQKBManifestationID)11926712 035 $a(PQKBTitleCode)TC0001535943 035 $a(PQKBWorkID)11508889 035 $a(PQKB)10967174 035 $a(WaSeSS)IndRDA00056834 035 $a(DE-B1597)445476 035 $a(OCoLC)912309553 035 $a(OCoLC)979838818 035 $a(OCoLC)980223595 035 $a(OCoLC)987945195 035 $a(OCoLC)992518247 035 $a(OCoLC)999354273 035 $a(DE-B1597)9783110402100 035 $a(MiAaPQ)EBC1787226 035 $a(Au-PeEL)EBL1787226 035 $a(CaPaEBR)ebr11054976 035 $a(OCoLC)939262777 035 $a(EXLCZ)993710000000346217 100 $a20150529h20142014 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCreativity $ethe actor in performance /$fHelen Trenos; managing editor Monika Michalowicz 210 1$aWarsaw, [Poland] ;$aBerlin, [Germany] :$cDe Gruyter Open,$d2014. 210 4$dİ2014 215 $a1 online resource (93 pages) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a3-11-040196-7 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tList of CREATICS Exercises --$tIntroduction --$t1 Creativity and Acting --$t2 What is Acting? --$t3 Stanislavsky: Guru and Villain --$t4 CREATICS: Performance-Oriented Training --$tReferences --$tIndex 330 $aCreativity: the Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts-in performance. But, as actors know, performance is a thing unto itself-something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance. An historical account of the emergence and development of one of the most generative concepts of our times - creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence. 606 $aCreation (Literary, artistic, etc.) 606 $aCreative ability 610 $aStage-acting, creativity, performing. 615 0$aCreation (Literary, artistic, etc.) 615 0$aCreative ability. 676 $a153.35 700 $aTrenos$b Helen$0803375 702 $aMichalowicz$b Monika 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996309148203316 996 $aCreativity$92216474 997 $aUNISA LEADER 03006oam 22007094a 450 001 9910524668303321 005 20210915033733.0 010 $a9781920489755 010 $a1920489754 010 $a9781283637800 010 $a1283637804 010 $a9781920489779 010 $a1920489770 035 $a(CKB)2550000000707763 035 $a(EBL)1996916 035 $a(OCoLC)905997540 035 $a(SSID)ssj0000774179 035 $a(PQKBManifestationID)11421469 035 $a(PQKBTitleCode)TC0000774179 035 $a(PQKBWorkID)10719749 035 $a(PQKB)11702326 035 $a(OCoLC)867796840 035 $a(MdBmJHUP)muse24332 035 $a(Au-PeEL)EBL1996916 035 $a(CaPaEBR)ebr10608747 035 $a(CaONFJC)MIL395026 035 $a(PPN)198667965 035 $a(FRCYB88827216)88827216 035 $a(Perlego)534938 035 $a(FR-PaCSA)88827216 035 $a(MiAaPQ)EBC1996916 035 $a(EXLCZ)992550000000707763 100 $a20241012d2010 u| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aStrengthening Popular Participation in the African Union$eA Guide to AU Structures and Processes 205 $a2nd imp. with minor corrections. 210 1$aSomerset West, South Africa:$cDistributed by African Minds,$d2010 210 4$dİ2010 215 $a1 online resource (76 p.) 300 $a"Researched and written by Rudo Chitiga ... and Bronwen Manby"--P. v. 311 08$a9781920355241 311 08$a1920355243 327 $aIntroduction : the purpose of this guide -- AU organs & institutions -- Influencing AU decisions & policies -- The union government debate -- Appendix 1. AU regions -- Appendix 2. Regional economic communities recognised by the African Union -- Appendix 3. Useful websites and contacts. 330 $aThe African Union (AU) has committed to a vision of Africa that is 'integrated, prosperous and peaceful - driven by its own citizens, a dynamic force in the global arena' (Vision and Mission of the African Union, May 2004). This guide is an effort to take up the challenge of achieving this vision. It is a tool to assist activists to engage with AU policies and programmes. It describes the AU decision-making process and outlines the roles and responsibilities of the AU institutions. It also contains a sampling of the experiences of those non-governmental organisations (NGOs) that have interacted with the AU. 606 $aNon-governmental organizations$zAfrica 607 $aAfrica$xPolitics and government 608 $aElectronic books. 615 0$aNon-governmental organizations 700 $aChitiga$b Rudo$01146114 701 $aManby$b Bronwen$01097552 712 02$aAfriMAP. 712 02$aOxfam. 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910524668303321 996 $aStrengthening Popular Participation in the African Union$92686747 997 $aUNINA