LEADER 08402nam 2200505 450 001 9910522958003321 005 20231110224556.0 010 $a3-030-82303-2 035 $a(MiAaPQ)EBC6875871 035 $a(Au-PeEL)EBL6875871 035 $a(CKB)21022420000041 035 $a(EXLCZ)9921022420000041 100 $a20220917d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aArtisan and handicraft entrepreneurs $epast, present, and future /$fedited by Le?o-Paul Dana [and three others] 210 1$aCham, Switzerland :$cSpringer,$d[2022] 210 4$d©2022 215 $a1 online resource (298 pages) 225 1 $aContributions to Management Science 311 08$aPrint version: Dana, Léo-Paul Artisan and Handicraft Entrepreneurs Cham : Springer International Publishing AG,c2022 9783030823023 320 $aIncludes bibliographical references and index. 327 $aIntro -- Foreword -- References -- Preface -- References -- Editorial Board -- Contents -- About the Editors -- Part I: Traditional Self-Employed Artisans, Home-Made Goods and Markets -- Ground Loom Weaving Among Negev Bedouin Women -- 1 Background -- 2 Black Tents -- 3 Traditional Weaving -- 4 Urbanization and Modified Weaving -- 5 Bedouin Women Weaving Cooperative -- References -- Artisans in Ethiopia -- 1 Introduction -- 2 Ethiopia -- 3 Artisans in Ethiopia -- 4 Key Occupations of Ethiopian Artisans -- 4.1 Pottery Production -- 4.2 Handloom Textiles -- 4.3 Basketry -- 4.4 Ground Stone -- 5 Problems and Challenges Faced by Ethiopian Artisans: Discussion and Recommendations -- References -- Craft Artisans in Namibia´s Okavango Tribe -- 1 Introduction -- 2 The Republic of Namibia (Okavango Women-Okavango Region) -- 3 The Role of Culture in Artisan Entrepreneurship -- 4 Defining Art Entrepreneurship and Typologies -- 4.1 Typologies of Entrepreneurship -- 4.1.1 Entrepreneurial Opportunity -- 4.1.2 Entrepreneurial Identity -- 5 The Role of Small Medium Enterprises in the Artisan/Craft Entrepreneurship -- 6 Methodology and Data Collection -- 7 Findings and Discussion -- 7.1 Discussion on Okavango Craft Entrepreneurs -- 8 Conclusion -- References -- Artisan Enterprise in the Rural Economy: Drystone Walling in North Yorkshire -- 1 Introduction -- 2 Does Rural Exist? -- 3 Prior Work -- 4 The Artisan Rural Enterprise -- 5 Drystone Walling -- 6 Methodology: The Research Problem -- 6.1 The Conceptual Framework: Classifying the Rural Creative Enterprise -- 7 Case Studies -- 7.1 Case 1: Neil Harland -- 7.1.1 The Farm-Based Entrepreneur -- 7.2 Case 2: Calum McElwee -- 7.2.1 Opportunity-Based Entrepreneur -- Myatt-McCallum myatt-mccallum.co.uk -- Rural Business Development -- Creative Development Orientation -- Business Development Orientation. 327 $a8 Conclusions and Implications -- References -- Further Reading -- Traditional Food and Self-Employed Artisans in Druze Villages -- 1 Introduction -- 2 Culinary Tourism -- 3 Governmental Programmes and Resolutions -- 4 Food Tourism in Druze Villages -- 5 Epilogue -- References -- Part II: Entrepreneurial Innovation in the Artisanal Sector -- Artisan Food Production: What Makes Food `Artisan´? -- 1 Introduction -- 2 Artisan as an Attribute: Product, Production and Producer -- 3 Entrepreneurial and Innovative Ways to `Stand Out´ and Yet Still Be Defined as `Artisan´ -- 3.1 Wild Irish Seaweed (Wild Irish Seaweed 2021) -- 3.2 Cotswold Kid Meat-Just Kidding (Just Kidding 2021) -- 3.3 Black Mountains Smokery (Black Mountains Smokery 2021) -- 4 Concluding Thoughts -- References -- Enterprise Culture in Art: Artist-Entrepreneur Graham McKean -- 1 Introducing the Illustrative Case Study of Graham McKean -- 2 Introducing the Context and Literature of `Artisanal-Entrepreneurship´ -- 2.1 Exploring the Literature of Artisanal Entrepreneurship -- 2.2 Arts Entrepreneurship and the Aesthetic Dimension -- 2.3 Considering the Aesthetics of Entrepreneurial Identity -- 3 Methodology -- 4 Presenting the Case for McKean as an Artisanal Entrepreneur -- 5 Findings (from the Empirical Data) -- 5.1 Analysing the Masculine Imagery -- 6 Some Concluding Thoughts -- References -- Arts Entrepreneurs in an Emerging Economy -- 1 Introduction -- 2 Innovation Economy -- 3 Creative and Arts Entrepreneurship -- 4 COVID-19 and the Effects of Social Media -- 5 Conclusion -- References -- Stone Carving in India and the Need for Process Innovation -- 1 Introduction -- 2 Methodology and Significance of the Study -- 3 Stone Carving as the Oldest Traditions of Art in India -- 4 Literature Review -- 5 Problems Faced by the Stone-Carving Artisans in the Study Region. 327 $a6 Opportunities to Strengthen Livelihoods Through Entrepreneurship -- 7 Conclusion and Recommendation -- References -- Websites -- Social Entrepreneurship Among Artisans -- 1 Introduction -- 2 Research Problem and Research Objectives -- 3 Research Gap -- 4 Review of Literature on Social Entrepreneurship and Self-Efficacy -- 5 Methodology -- 5.1 Case Analysis -- 6 Findings and Discussion -- 7 Conclusion -- References -- Part III: Toward the Future: Social Media, Technology and Obstacles -- Social Media Use by Artisans -- 1 Introduction -- 2 The Age of Social Media -- 3 Strategic Implications of Artisan´s Social Media Use -- 4 Impact on Artisans -- 5 Fair Labor Practices and Social Media -- 6 Women Artisans and Social Media -- 7 Fair Trade and Transparency -- References -- Artisans and Social Media: Cases from Kosovo -- 1 Introduction -- 2 Literature Review -- 2.1 The Artisan Concept -- 2.2 The History of Artisans in Kosovo -- 2.3 Artisans that Survived the Time -- 2.4 Social Media Usage in Kosovo -- 3 Methodology -- 4 Introducing the Cases -- 5 Findings and Discussion -- 6 Limitations and Future Research Directions -- References -- Social Media and Digital Technologies Among Pottery Makers and in the Sewing Sector -- 1 Introduction -- 2 Creative Economy, Art Markets, and Art Galleries of Iran -- 2.1 Creative Economy -- 2.2 Art Market -- 2.3 Art Galleries -- 2.4 Art-Based Social Enterprise -- 2.5 The Creative Economy of Iran -- 3 Craft Entrepreneurship in Iran -- 3.1 Cultural Creative Product -- 3.2 Creative Goods and Services -- 3.3 Ceramics and Pottery Industry -- 3.4 Sewers -- 3.5 Case of Iran -- 4 Social Media and Digital Technologies in the Creative Economy of Iran -- 4.1 Innovation Ecosystem -- 4.2 Social Media -- 4.3 Digital Technologies -- 5 Conclusion -- References -- Technology Innovation Among Handicraft Artisans in Lesotho -- 1 Introduction. 327 $a1.1 Government Support for Small-Scale Artisan Entrepreneurs -- 1.2 The Advent of Globalisation and Cottage Industries in Developing Countries -- 1.3 The Changing Use of Technology -- 1.4 Formation of Social Networks -- 1.5 Research Methods -- 1.6 Handicraft Cooperatives in Lesotho -- 2 Results and Discussions -- 2.1 The Type of Products Produced by the Handicraft Businesses -- 2.2 Types and Sources of Raw Materials for Handicraft Centres -- 2.3 Skill Acquisition and Transfer Among Artisanal Entrepreneurs -- 2.4 Different Types of Technology Used by Crafts Artisans -- 2.5 Acquisition of Technology -- 3 Conclusion and Recommendation -- References -- Women Artisans Facing Obstacles -- 1 Introduction -- 2 Women Artisan Entrepreneurship -- 2.1 Obstacles -- 2.2 Contributing Factors -- 3 Women Entrepreneurial Spirit in Artisan Entrepreneurship -- 4 Women Artisan Entrepreneurship in Pakistan -- 5 Key Objective -- 6 Methodology -- 7 Findings and Discussion -- 7.1 Experience as an Artisan Entrepreneur -- 7.2 Encountered Obstacles -- 7.3 Business Strategies -- 7.4 Issues and Challenges -- 7.5 Recommendations -- 8 Theoretical Justification -- 9 Conclusion and Implications -- 10 Limitations and Future Research Direction -- References. 410 0$aContributions to Management Science 606 $aHandicraft industries 606 $aCottage industries 606 $aArtisans 615 0$aHandicraft industries. 615 0$aCottage industries. 615 0$aArtisans. 676 $a331.2567 702 $aDana$b Leo Paul 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910522958003321 996 $aArtisan and handicraft entrepreneurs$92914757 997 $aUNINA