LEADER 03669nam 22005415 450 001 9910520074503321 005 20240718205742.0 010 $a9781137501776$b(electronic bk.) 010 $z9781137501769 024 7 $a10.1057/978-1-137-50177-6 035 $a(MiAaPQ)EBC6838562 035 $a(Au-PeEL)EBL6838562 035 $a(CKB)20275222600041 035 $a(OCoLC)1291314278 035 $a(DE-He213)978-1-137-50177-6 035 $a(EXLCZ)9920275222600041 100 $a20211221d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAdapting Television Drama $eTheory and Industry /$fby Christopher Hogg 205 $a1st ed. 2021. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (270 pages) 225 1 $aPalgrave Studies in Adaptation and Visual Culture,$x2634-6303 311 08$aPrint version: Hogg, Christopher Adapting Television Drama London : Palgrave Macmillan UK,c2021 9781137501769 320 $aIncludes bibliographical references and index. 327 $a1. Adapting Television Drama: A General Introduction -- 2. Producing Adaptations -- 3. Writing Adaptations -- 4. Designing and Directing Adaptations -- 5. Casting and Acting Adaptations -- 6. Adapting Television Drama: A General Conclusion. . 330 $aThis book explores adaptation in its various forms in contemporary television drama. It considers the mechanics of adaptation as an ever-more prevalent form of production, most notably in the reworking of literary sources for television. It also explores the broader process through which the television industry as a whole is currently making necessary adaptations in how it tells stories, especially in relation to important concerns of equality, diversity and inclusion. Offering and analysing 16 original interviews with leading British television producers, writers, directors, production designers, casting directors and actors, and with a particular focus on female and/or minority-ethnic industry perspectives, the book examines some of the key professional and creative approaches behind television adaptations today. The book connects these industry insights to the existing conceptual and critical frameworks of television studies and adaptation studies, illuminating the unique characteristics of television adaptation as a material mode of production, and revealing television itself as an inherently adaptive artform. Dr Christopher Hogg is Senior Lecturer in Television Theory at the University of Westminster, UK. Chris specialises in television drama and television acting, with a particular interest in bringing together industry and academic perspectives. He is the co-author (with Dr Tom Cantrell, the University of York) of the book Acting in British Television (Palgrave Macmillan, 2017), and the co-editor (also with Cantrell) of the collection Exploring Television Acting (2018). . 410 0$aPalgrave Studies in Adaptation and Visual Culture,$x2634-6303 606 $aAdaptation (Literary, artistic, etc.) 606 $aTelevision broadcasting 606 $aAdaptation Studies 606 $aTelevision Studies 615 0$aAdaptation (Literary, artistic, etc.) 615 0$aTelevision broadcasting. 615 14$aAdaptation Studies. 615 24$aTelevision Studies. 676 $a791.456 700 $aHogg$b Christopher$01075200 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910520074503321 996 $aAdapting Television Drama$92584196 997 $aUNINA