LEADER 02981nam 22005775 450 001 9910520066603321 005 20240724122356.0 010 $a9789811671784$b(electronic bk.) 010 $z9789811671777 024 7 $a10.1007/978-981-16-7178-4 035 $a(MiAaPQ)EBC6838688 035 $a(Au-PeEL)EBL6838688 035 $a(CKB)20275126900041 035 $a(OCoLC)1292364331 035 $a(DE-He213)978-981-16-7178-4 035 $a(EXLCZ)9920275126900041 100 $a20211219d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEcoscenography $eAn Introduction to Ecological Design for Performance /$fby Tanja Beer 205 $a1st ed. 2021. 210 1$aSingapore :$cSpringer Nature Singapore :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (239 pages) 311 08$aPrint version: Beer, Tanja Ecoscenography Singapore : Springer Singapore Pte. Limited,c2021 9789811671777 327 $aIntroduction -- Chapter 1: Ecological Thinking -- Chapter 2: Ecological Practice -- Chapter 3: Ecoscenography in Three Acts -- Chapter 4: Two case studies in Ecoscenography -- Conclusion. 330 $aThis ground-breaking book is the first to bring an ecological focus to theatre and performance design, both in scholarship and in practice. Ecoscenography weaves environmental philosophies and practices across genres and fields to provide a captivating vision for the future of sustainable theatre production. The book forefronts leading designers that are driving this emerging field into the mainstream through their relational and reciprocal engagement with place, audiences, materials, and processes. Beyond its radical philosophy and framework, Ecoscenography makes a compelling case for pursuing an ecological ethic in theatre and performance design, not only as a moral imperative, but for the extraordinary possibilities that it offers for more-than-human engagement. Based on her personal insights as a leading ecological researcher and practitioner, Beer offers a rich resource for scholars, students and practitioners alike, opening up new processes and aesthetics of theatrical design that enhance the environmental and social advocacy of the field. 606 $aGeography 606 $aPerforming arts 606 $aTheater 606 $aSociology, Urban 606 $aRegional Geography 606 $aTheatre and Performance Arts 606 $aUrban Sociology 615 0$aGeography. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aSociology, Urban. 615 14$aRegional Geography. 615 24$aTheatre and Performance Arts. 615 24$aUrban Sociology. 676 $a551.6 700 $aBeer$b Tanja$01075429 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910520066603321 996 $aEcoscenography$92584633 997 $aUNINA LEADER 03748oam 22005773u 450 001 9910311930703321 005 20241204165141.0 010 $a9781478002635 010 $a1478002638 035 $a(CKB)4100000007461642 035 $a(MiAaPQ)EBC5630422 035 $a1053889365 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/30442 035 $a(Perlego)1466374 035 $a(oapen)doab30442 035 $a(EXLCZ)994100000007461642 100 $a20180921d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 13$aAn intimate rebuke $efemale genital power in ritual and politics in Co?te d'Ivoire /$fLaura S. Grillo 210 $aDurham, NC$cDuke University Press$d2018 210 1$aDurham :$cDuke University Press,$d2018. 215 $a1 online resource (305 pages) 225 1 $aThe religious cultures of African and African diaspora people 311 08$a1-4780-0120-8 320 $aIncludes bibliographical references and index. 327 $aHome and the unhomely: the foundational nature of female genital power -- Genies, witches, and women: locating female powers -- Matrifocal morality: FGP and the foundation of "home" -- Gender and resistance: the "strategic essentialism" of FGP -- Worldliness: FGP in the making of ethnicity, alliance, and war in Co?te d'Ivoire -- Founding knowledge/binding power: the moral foundations of ethnicity and Alliance -- Women at the checkpoint: challenging the forces of civil war -- Timeliness: urgent situations and emergent critiques -- Violation and deployment: FGP in politics in Co?te d'Ivoire -- Memory, memorialization, and morality -- Conclusion. an intimate rebuke: a local critique in the global postcolony. 330 $aThroughout West African societies, at times of social crises, postmenopausal women ? the Mothers ? make a ritual appeal to their innate moral authority. The seat of this power is the female genitalia. Wielding branches or pestles, they strip naked and slap their genitals and bare breasts to curse and expel the forces of evil. In An Intimate Rebuke Laura S. Grillo draws on fieldwork in Côte d?Ivoire that spans three decades to illustrate how these rituals of Female Genital Power (FGP) constitute religious and political responses to abuses of power. When deployed in secret FGP operates as spiritual warfare against witchcraft; in public it serves as a political activism. During Côte d?Ivoire?s civil wars FGP challenged the immoral forces of both rebels and the state. Grillo shows how the ritual potency of the Mothers? nudity and the conjuration of their sex embodies a moral power that has been foundational to West African civilization. 410 0$aReligious cultures of African and African diaspora people. 606 $aOlder women$xReligious life$zCo?te d'Ivoire 606 $aOlder women$xPolitical activity$zCo?te d'Ivoire 606 $aGenerative organs, Female$xSymbolic aspects$zCo?te d'Ivoire 606 $aGenerative organs, Female$xReligious aspects 606 $aGenerative organs, Female$xPolitical aspects$zCo?te d'Ivoire 607 $aCo?te d'Ivoire$xReligion 615 0$aOlder women$xReligious life 615 0$aOlder women$xPolitical activity 615 0$aGenerative organs, Female$xSymbolic aspects 615 0$aGenerative organs, Female$xReligious aspects. 615 0$aGenerative organs, Female$xPolitical aspects 676 $a305.4096668 700 $aGrillo$b Laura S.$f1956-$0997948 801 0$bNDD 801 1$bNDD 906 $aBOOK 912 $a9910311930703321 996 $aAn intimate rebuke$92288740 997 $aUNINA