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200 10$aNosferatu, a symphony of horror /$fCristina Massaccesi$b[electronic resource]
210  1$aOxford :$cOxford University Press,$d2021.
215   $a1 online resource (129 p.)
225 1 $aDevil's advocates
225 1 $aLiverpool scholarship online
300   $aPreviously issued in print: Leighton Buzzard: Auteur, 2015.
311   $a0-9932384-5-9 
320   $aIncludes bibliographical references.
327   $aContents; Preface; Introduction; Film Synopsis; 1. Contexts; 2. Bringing the undead to life; 3. Reading the vampire; 4. Signs and Meanings; 5. Nosferatu's Afterlives; Appendix: Interview with E. Elias Merhige; Notes; Bibliography
330 8 $a'Nosferatu, A Symphony of Horror', directed by German director Friedrich Wilhelm Murnau in 1922, is not only regarded as one of the most intriguing and disquieting films to have been produced during the years of Weimar cinema but is also a key step in establishing the vampire as a cinematic figure and in shaping its connection with our subconscious fears and desires. The book's analysis of this hugely influential film, unravels the never-ending fascination exercised by the film over generations of viewers and filmmakers whilst at the same time providing the reader with a clear guide about the film's contexts, cinematography, and possible interpretations, covering the political and social context of the Weimar Republic and its film industry, the German Expressionist movement, the film's production, reception and difficult initial release.
410  0$aDevil's advocates.
410  0$aLiverpool scholarship online.
606   $aVampire films
606   $aHorror films$zGermany$xHistory
615  0$aVampire films.
615  0$aHorror films$xHistory.
676   $a791.4372
700   $aMassaccesi$b Cristina$01075299
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801  1$bStDuBDS
906   $aBOOK
912   $a9910520009203321
996   $aNosferatu, a symphony of horror$92584521
997   $aUNINA