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100   $a20230516d2021      uy             0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aCreative Selection between Emending and Forming Medieval Memory /$fedited by Sebastian Scholz, Gerald Schwedler
210  1$aBerlin :$cDe Gruyter,$d2021.
215   $a1 online resource (viii, 204 pages) $cillustrations
225 1 $aMillennium-Studien  ;$vVolume 96
300   $aIncludes index.
311   $a3-11-075730-3 
330   $aKarl Valentin once asked: "How can it be that only as much happens as fits into the newspaper the next day?" He focussed on the problem that information of the past has to be organised, arranged and above all: selected and put into form in order to be perceived as a whole. In this sense, the process of selection must be seen as the fundamental moment - the "Urszene"--Of making History. This book shows selection as highly creative act. With the richness of early medieval material it can be demonstrated that creative selection was omnipresent and took place even in unexpected text genres. The book demonstrates the variety how premodern authors dealt with "unimportant", unpleasant or unwanted past. It provides a general overview for regions and text genres in early medieval Europe.
410  0$aMillennium-Studien ;$vVolume 96.
606   $aMiddle Ages$xHistoriography$vCongresses
615  0$aMiddle Ages$xHistoriography
676   $a940.1
702   $aSchwedler$b Gerald
702   $aScholz$b Sebastian
801  0$bNjHacI
801  1$bNjHacl
906   $aBOOK
912   $a9910518198403321
996   $aCreative Selection between Emending and Forming Medieval Memory$92566156
997   $aUNINA