LEADER 03343nam 22005655 450 001 9910518194003321 005 20211217065530.0 010 $a9783422986480 010 $a3422986480 024 7 $a10.1515/9783422986480 035 $a(CKB)5600000000426451 035 $a(DE-B1597)572581 035 $a(DE-B1597)9783422986480 035 $a(MiAaPQ)EBC7015444 035 $a(Au-PeEL)EBL7015444 035 $a(OCoLC)1295219381 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/77177 035 $a(oapen)doab77177 035 $a(EXLCZ)995600000000426451 100 $a20211217h20212022 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRed Glow $eYugoslav Partisan Photography and Social Movement, 1941-1945 /$fDavor Konjiku?i?; ed. by Rosa-Luxemburg-Stiftung 205 $a1st ed. 210 $aBerlin/Boston$cDe Gruyter$d2021 210 1$aMünchen ;$aBerlin : $cDeutscher Kunstverlag (DKV), $d[2021] 210 4$dİ2022 215 $a1 online resource (423 p.) 311 08$a9783422986404 311 08$a3422986405 327 $tFrontmatter -- $tContents -- $tPhotography, First and Foremost -- $t'You're Taking Pictures, While We're Being Killed!' On Materiality, Art, and the Civil Contract of the Partisan Photo Archive -- $t1. Introduction -- $t2. The Battleground of Representation: From the Paris Commune to Nazism -- $t3. The Social Contexts of Photography and Its Development between the Two World Wars -- $t4. The Red Glow of Partisan Photography -- $t5. Photography and Propaganda -- $t6. Partisan Photography's Revolutionary Perspective -- $t7. Iconic Photographs -- $t8. Intelligence Uses of Photography and Trophy Photos of Atrocities -- $t9. Photo Archive: The Themes and Subject Matter of Partisan Photography -- $t10. Conclusion -- $tList of Partisan Photographers -- $tBibliography 330 $aDavor Konjiku?i? offers an in-depth presentation and contextualization of the photographs created by Yugoslav partisans between 1941 and 1945. The book goes beyond an aesthetic depiction of the photographs; it also deals with the history of their use and function within one of the biggest anti-fascist movements in Europe during the Second World War. The photographs are used to trace the development of a movement that-while seemingly doomed to certain failure-nevertheless survived the most destructive war in human history. This book provides new answers to the question of photography's role as a medium and its significance and use in social movements. 606 $aHISTORY / Military / World War II$2bisacsh 610 $aDocumentary photography 610 $aResistance movement 615 7$aHISTORY / Military / World War II. 676 $a940.53497 700 $aKonjiku?i?$b Davor, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01223447 702 $aHorvatinc?ic?$b Sanja$4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aKlasi?$b Hrvoje, $4ctb$4https://id.loc.gov/vocabulary/relators/ctb 702 $aRosa-Luxemburg-Stiftung$b , $4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910518194003321 996 $aRed Glow$92838460 997 $aUNINA