LEADER 00782nam0-22002891i-450- 001 990000953250403321 035 $a000095325 035 $aFED01000095325 035 $a(Aleph)000095325FED01 035 $a000095325 100 $a20000920d1962----km-y0itay50------ba 101 0 $aita 200 1 $aFisica Generale$eParte II$fEdoardo Amaldi 210 $aRoma$cMarves$d1962 215 $a683 p.$cill.$d24 cm 300 $aIn testa al front.: Università di Roma 610 0 $aFisica$aOpere generali 676 $a530 700 1$aAmaldi,$bEdoardo$f<1908-1989>$057 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000953250403321 952 $a20A-004.002$b2970$fFI1 959 $aFI1 996 $aFisica generale$937024 997 $aUNINA DB $aING01 LEADER 04207nam 2200481 450 001 9910795279803321 005 20230105202228.0 010 $a90-04-40800-2 024 7 $a10.1163/9789004408005 035 $a(CKB)4920000000127019 035 $a(nllekb)BRILL9789004408005 035 $a(MiAaPQ)EBC6853606 035 $a(Au-PeEL)EBL6853606 035 $a(OCoLC)1293249689 035 $a(EXLCZ)994920000000127019 100 $a20220304d2020 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 00$aContemporary Russian conservatism $eproblems, paradoxes, and perspectives /$fedited by Mikhail Suslov, Dmitry Uzlaner 210 1$aLeiden, The Netherlands :$cBrill,$d[2020] 210 4$d©2020 215 $a1 online resource 225 1 $aEurasian studies library ;$vVolume 13 311 $a90-04-40190-3 320 $aIncludes bibliographical references and index. 327 $tFront Matter -- Copyright Page -- Acknowledgments -- Contributors -- Dilemmas and Paradoxes of Contemporary Russian Conservatism: Introduction /$rMikhail Suslov and Dmitry Uzlaner -- A History of Russian Conservatism, from the 18th Century to the End of the 20th Century /$rMikhail Loukianov, Kåre Johan Mjør, Susanna Rabow-Edling and Mikhail Suslov -- Russian Conservatism as an Ideology: The Logic of Isolationism /$rMikhail Suslov -- The Logic of Scapegoating in Contemporary Russian Moral Conservatism /$rDmitry Uzlaner -- Postmodernity and Modernity as Political Terms in Russia?s New Conservatism /$rKatharina Bluhm -- The Great Expectations of Russian Young Conservatism /$rAlexander Pavlov -- Mirror Games? Ideological Resonances between Russian and US Radical Conservatism /$rMarlene Laruelle -- Russia?s Contemporary Exceptionalism and Geopolitical Conservatism /$rAlicja Curanovi? -- ?Making Europe Great Again?: Anti-Western Criticism from Orthodox Conservative Actors Online /$rEkaterina Grishaeva -- From Expansion to Seclusion and Back Again: Boris Mezhuev?s Isolationism and Its Roots in Solzhenitsyn and Tsymbursky /$rIrina Karlsohn -- ?Russia?s Thousand-Year History?: Claiming a Past in Contemporary Russian Conservative Thought /$rKåre Johan Mjør -- The Monument to Grand Prince Vladimir in Moscow and the Problem of Conservatism /$rPer-Arne Bodin -- Eastern Orthodoxy, Conservatism, and (Neo)Palamite Tradition in Post-Soviet Russia /$rAndrey Shishkov -- Russian Neoconservatism and Apocalyptic Imperialism /$rVictor Shnirelman -- Framing ?Gay Propaganda?: Morality Policy Arguments and the Russian Orthodox Church /$rCaroline Hill -- Back Matter -- Index. 330 $aThis volume is the first comprehensive study of the ?conservative turn? in Russia under Putin. Its fifteen chapters, written by renowned specialists in the field, provide a focused examination of what Russian conservatism is and how it works. The book features in-depth discussions of the historical dimensions of conservatism, the contemporary international context, the theoretical conceptualization of conservatism, and empirical case studies. Among various issues covered by the volume are the geopolitical and religious dimensions of conservatism and the conservative perspective on Russian history and the politics of memory. The authors show that conservative ideology condenses and reworks a number of discussions about Russia?s identity and its place in the world. Contributors include: Katharina Bluhm, Per-Arne Bodin, Alicja Curanovi?, Ekaterina Grishaeva, Caroline Hill, Irina Karlsohn, Marlene Laruelle, Mikhail N. Lukianov, Kåre Johan Mjør, Alexander Pavlov, Susanna Rabow-Edling, Andrey Shishkov, Victor Shnirelman, Mikhail Suslov, and Dmitry Uzlaner 410 0$aEurasian studies library ;$vVolume 13. 606 $aConservatism$zRussia (Federation) 615 0$aConservatism 676 $a320.520947 702 $aSuslov$b Mikhail 702 $aUzlaner$b Dmitry 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910795279803321 996 $aContemporary Russian conservatism$93770213 997 $aUNINA LEADER 02894nam 2200397z- 450 001 9910513702703321 005 20211216 035 $a(CKB)5590000000637190 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/74978 035 $a(oapen)doab74978 035 $a(EXLCZ)995590000000637190 100 $a20202112d2021 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aWarez$eThe Infrastructure and Aesthetics of Piracy 210 $aBrooklyn, NY$cpunctum books$d2021 215 $a1 online resource (444 p.) 311 08$a1-68571-036-0 327 $tOriginal pirate material --$tSetting the scene --$tInfrastructures of the scene --$tOrganization --$tAesthetics --$tTakedowns --$gConclusions. 330 $aWhen most people think of piracy, they think of Bittorrent and The Pirate Bay. These public manifestations of piracy, though, conceal an elite worldwide, underground, organized network of pirate groups who specialize in obtaining media - music, videos, games, and software - before their official sale date and then racing against one another to release the material for free. Warez: The Infrastructure and Aesthetics of Piracy is the first scholarly research book about this underground subculture, which began life in the pre-internet era Bulletin Board Systems and moved to internet File Transfer Protocol servers ("topsites") in the mid- to late-1990s. The "Scene," as it is known, is highly illegal in almost every aspect of its operations. The term "Warez" itself refers to pirated media, a derivative of "software." Taking a deep dive in the documentary evidence produced by the Scene itself, Warez describes the operations and infrastructures an underground culture with its own norms and rules of participation, its own forms of sociality, and its own artistic forms. Even though forms of digital piracy are often framed within ideological terms of equal access to knowledge and culture, Eve uncovers in the Warez Scene a culture of competitive ranking and one-upmanship that is at odds with the often communalist interpretations of piracy. Broad in scope and novel in its approach, Warez is indispensible reading for anyone interested in recent developments in digital culture, access to knowledge and culture, and the infrastructures that support our digital age. 517 $aWarez 606 $aCorporate crime$2bicssc 606 $aInternet: general works$2bicssc 606 $aMedia studies$2bicssc 610 $acomputing;hacking;history;internet security;piracy;software;warez 615 7$aCorporate crime 615 7$aInternet: general works 615 7$aMedia studies 700 $aEve$b Martin Paul$f1986-$0803034 906 $aBOOK 912 $a9910513702703321 996 $aWarez$93039539 997 $aUNINA