LEADER 03253nam 22005175 450 001 9910513680603321 005 20231005185846.0 010 $a94-6372-376-5 024 7 $a10.1515/9789048554546 035 $a(CKB)5100000000166880 035 $a(DE-B1597)617604 035 $a(DE-B1597)9789048554546 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/75080 035 $a(MiAaPQ)EBC30406556 035 $a(Au-PeEL)EBL30406556 035 $a(OCoLC)1294696235 035 $a(EXLCZ)995100000000166880 100 $a20220306h20222021 fg 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Perpetuation of Site-Specific Installation Artworks in Museums $eStaging Contemporary Art /$fTatja Scholte 205 $aFirst edition. 210 $cAmsterdam University Press$d2022 210 1$aAmsterdam :$cAmsterdam University Press,$d[2022] 210 4$d©2021 215 $a1 online resource (268 pages) 311 $a90-485-5454-3 327 $tFrontmatter --$tTable of Contents --$tList of Figures and Diagrams --$t1 The Problem of the Perpetuation of Site-Specific Installation Art --$t2 Site-Specific Installation Art in Historical Perspective --$t3 A Conceptual Model for the Analysis of Site-Specific Installations --$t4 Ernesto Neto's Célula Nave --$t5 Jason Rhoades's SLOTO --$t6 Drifting Producers --$t7 Conclusion and Further Discussion --$tAcknowledgements --$tList of Interviews Conducted by the Author --$tAppendix --$tBibliography --$tIndex 330 $aSite-specific installations are created for a specific location and are usually intended as temporary artworks. The Perpetuation of Site-Specific Installation Artworks in Museums. Staging Contemporary Art shows that these artworks consist of more than a singular manifestation and that their lifespan is often extended. This book provides an in-depth account of the paradoxical situation when site-specific installations are being preserved and put on display in a museum context. Tatja Scholte offers a conceptual framework for scholars and professionals in order to better understand the transformative nature of site-specific installation art and to support decision-making in museums as to conserving and presenting these artworks over time. The case studies provide insight into the diversity of artistic production over the last forty years. They explore how site-specific installations gain new meanings and forms in a museum context, and, vice versa, how these artworks become agents for change of professional routines and museum strategies. 606 $aInstallations (Art) 606 $aSite-specific art 610 $aSite-specific installation, museum, conservation, exhibition, spatial theory. 615 0$aInstallations (Art). 615 0$aSite-specific art. 676 $a709.0407 686 $aLH 65829$qDE-14/sred$2rvk 700 $aScholte$b Tatja$f1953-$4aut$4http://id.loc.gov/vocabulary/relators/aut$0864760 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910513680603321 996 $aThe Perpetuation of Site-Specific Installation Artworks in Museums$93565560 997 $aUNINA