LEADER 02214nam 2200349 n 450 001 9910512192703321 005 20230509105500.0 035 $a(CKB)5590000000631057 035 $a(NjHacI)995590000000631057 035 $a(EXLCZ)995590000000631057 100 $a20230509d2021 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMaking Black History $eDiasporic Fiction in the Moment of Afropolitanism /$fDominique Haensell 210 1$aBerlin, Germany :$cDe Gruyter,$d2021. 215 $a1 online resource (vii, 245 pages) 311 $a3-11-072214-3 330 $aThis study proposes that - rather than trying to discern the normative value of Afropolitanism as an identificatory concept, politics, ethics or aesthetics - Afropolitanism may be best approached as a distinct historical and cultural moment, that is, a certain historical constellation that allows us to glimpse the shifting and multiple silhouettes which Africa, as signifier, as real and imagined locus, embodies in the globalized, yet predominantly Western, cultural landscape of the 21st century. As such, Making Black History looks at contemporary fictions of the African or Black Diaspora that have been written and received in the moment of Afropolitanism. Discursively, this moment is very much part of a diasporic conversation that takes place in the US and is thus informed by various negotiations of blackness, race, class, and cultural identity. Yet rather than interpreting Afropolitan literatures (merely) as a rejection of racial solidarity, as some commentators have, they should be read as ambivalent responses to post-racial discourses dominating the first decade of the 21st century, particularly in the US, which oscillate between moments of intense hope and acute disappointment. 517 $aMaking Black History 606 $aAfrican Americans 615 0$aAfrican Americans. 676 $a301.45196073 700 $aHaensell$b Dominique$01353939 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910512192703321 996 $aMaking Black History$93285391 997 $aUNINA