LEADER 02171nam  2200373z- 450 
001 9910511982703321
005 20231214133454.0
035   $a(CKB)5100000000152999
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/74587
035   $a(EXLCZ)995100000000152999
100   $a20202112d2022      |y             0
101 0 $aeng
135   $aurmn|---annan
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aSpaces of Communication$eElements of Semio-Pragmatics
210   $aAmsterdam$cAmsterdam University Press$d2022
215   $a1 electronic resource (176 p.)
225 1 $aFilm Theory in Media History
311   $a94-6298-714-9 
330   $a"Semio-pragmatics, an approach to the study of film and audiovisual media first proposed by Roger Odin in the early 1980s, shifted the focus from textual analysis to the interaction of text and context and to the institutional modes of framing and reading which shape the viewer?s engagement with the film. A response to an impasse in post-1968 film semiotics and psychoanalytical approaches to film spectatorship, semio-pragmatics contributed significantly to the further development of film studies alongside Cultural Studies, neo-formalism, historical reception studies and the phenomenology of film.
Spaces of Communication offers a concise introduction to semio-pragmatics and condenses the intellectual trajectory of one of the foundational figures of film studies into a relatively short and accessible volume. It is a book which testifies to the author?s deep and rich intellectual engagement with a vast array of objects ranging from the classics of"
517   $aSpaces of Communication 
606   $aElectronic, holographic & video art$2bicssc
606   $aFilm, TV & radio$2bicssc
610   $aCommunication, pragmatics, media, arts, cinema
615  7$aElectronic, holographic & video art
615  7$aFilm, TV & radio
700   $aOdin$b Roger$4auth$0478047
702   $aMarbach$b Ségolène$4auth
906   $aBOOK
912   $a9910511982703321
996   $aSpaces of Communication$93036012
997   $aUNINA