LEADER 03288oam 2200589 450 001 9910511902403321 005 20200514202323.0 010 $a1-62892-893-X 010 $a1-4411-2868-9 024 7 $a10.5040/9781628928938 035 $a(CKB)2670000000402286 035 $a(EBL)1334437 035 $a(SSID)ssj0000950701 035 $a(PQKBManifestationID)11522089 035 $a(PQKBTitleCode)TC0000950701 035 $a(PQKBWorkID)10880877 035 $a(PQKB)10766060 035 $a(MiAaPQ)EBC1334437 035 $a(OCoLC)1154888678 035 $a(UtOrBLW)bpp09257689 035 $a(EXLCZ)992670000000402286 100 $a20130529d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRevolution and rebellion in Mexican film /$fNiamh Thornton 210 1$aNew York :$cBloomsbury,$d2013. 215 $a1 online resource (225 p.) 225 0 $aTopics and Issues in National Cinema 300 $aDescription based upon print version of record. 311 $a1-5013-0570-0 311 $a1-4411-6812-5 320 $aIncludes bibliographical references (pages 191-203) and index. 327 $aMachine generated contents note: -- AcknowledgementsIntroduction Chapter 1 War stories on Film: Chaos, Confusion and CreativityChapter 2 A Woman at War: Maria FelixChapter 3 Revisiting the Revolution: Mexico's independents challenge conventionsChapter 4 Mexico 1968 on Film: Screening State ViolenceChapter 5 Zapata and the Zapatistas: Indigenous Heroes and Online Warriors Chapter 6 Romance, History and Violence: the 1990s and 2000sConclusionBibliographyFilmographyIndex. 330 $a"Revolution and Rebellion in Mexican Film examines Mexican films of political conflict from the early studio Revolutionary films of the 1930-50s up to the campaigning Zapatista films of the 2000s. Mapping this evolution out for the first time, the author takes three key events under consideration: the Mexican Revolution (1910-1920); the student movement and massacre in 1968; and, finally, the more recent Zapatista Rebellion (1994-present). Analyzing films such as Vamanos con Pancho Villa (1936), El Grito (1968), and Corazon del Tiempo (2008), the author uses the term 'political conflict' to refer to those violent disturbances, dramatic periods of confrontation, injury and death, which characterize particular historical events involving state and non-state actors that may have a finite duration, but have a long-lasting legacy on the nation. These conflicts have been an important component of Mexican film since its inception and include studio productions, documentaries, and independent films."--$cProvided by publisher. 410 0$aTopics and Issues in National Cinema 606 $aMotion pictures$xPolitical aspects$zMexico 606 $aMotion pictures$zMexico$xHistory 606 $2Film theory & criticism 615 0$aMotion pictures$xPolitical aspects 615 0$aMotion pictures$xHistory. 676 $a791.430972 700 $aThornton$b Niamh$0892764 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910511902403321 996 $aRevolution and rebellion in Mexican film$92552303 997 $aUNINA