LEADER 08124nam 22005171c 450 001 9910511892903321 005 20200115203623.0 010 $a1-5013-3016-0 010 $a1-5013-3014-4 024 7 $ahttp://doi.org/10.5040/9781501330162 035 $a(CKB)4100000006672488 035 $a(MiAaPQ)EBC5515140 035 $a(OCoLC)1098038754 035 $a(UtOrBLW)bpp09262896 035 $a(EXLCZ)994100000006672488 100 $a20190412d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aMusic, art and performance from Liszt to Riot Grrrl $ethe musicalization of art $fDiane V. Silverthorne, editor 205 $aFirst edition. 210 1$aLondon $aNew York $cBloomsbury Visual Arts $d2019. 215 $a1 online resource (305 pages) 300 $aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily 311 $a1-5013-3013-6 320 $aIncludes bibliographical references 327 $aContents -- Introduction - A work in two parts: continuities and discontinuities from romanticism to postmodernism /Diane V. Silverthorne (Central Saint Martins, University of the Arts, London, UK) -- Prelude - The musical in art /Jed Rasula (University of Georgia, Athens, USA) -- Part 1: The musicalization of art -- Spaces of intimacy, touch and temporality -- 1. Romantic musical celebrity and printed portraits: visual intimacy and mass-market distance /Alan Davison (University of Technology, Sydney, Australia) -- 2. Making an entrance: Manet's still life with hat and guitar /Therese Dolan (Temple University, Tyler School of Art, Philadelphia, USA) -- 3. Time in Fin-de-Sie?cle painting /Anne Leonard (University of Chicago, USA) -- 4. Erik Satie and the interart genre /Ann-Marie Hanlon (Dundalk Institute of Technology, Co. Louth, Ireland) -- 5. The 'Figure in the Carpet': M. K. Ciurlionis and the synthesis of the arts /Spyros Petritakis (University of Crete, Greece) -- Part 2: The musicalization of art -- Spaces of performance, sound and silence -- 6. Music, sound and light: embodied experiences of the modernist and postmodern Gesamtkunstwerk /Diane V. Silverthorne (University of the Arts, London, UK) -- 7. Squaring the circle: Wilfred's Lumia and his rejection of 'colour music' /Nick Lambert (Ravensbourne College, London, UK) -- 8. In concert: the emergence of the audio-visual moment in minimalism /Meredith Mowder (Hunter College, The City University of New York, USA) -- 9. Riffing the index: Romare Bearden and the hand of jazz /Nikki A. Greene (Wellesley College, Mass., USA) -- 10. The politics of music and image in contemporary Iranian art: 'the impossibility of putting one's body and voice on a stage' /Kirstie Imber (Birkbeck, University of London, UK) -- 11. Contemporary feminist art, the musical: listening to the visual legacy of Riot Grrrl /Cara Smulevitz (University of Illinois, Chicago, USA) -- Postlude /Diane V. Silverthorne and Alan Davison -- Bibliography 327 $aContents -- Introduction - A Work in Two Parts: Continuities and Discontinuities from Romanticism to Postmodernism -- Diane V. Silverthorne (Central Saint Martins, University of the Arts, London, UK) -- Prelude - The Musical in Art -- Jed Rasula (University of Georgia, Athens, USA) -- Part 1: The Musicalization of Art -- SPACES OF INTIMACY, TOUCH AND TEMPORALITY -- 1. Romantic Musical Celebrity and Printed Portraits: Visual Intimacy and Mass-Market Distance -- Alan Davison (University of Technology, Sydney, Australia) -- 2. Making an Entrance: Manet's Still Life with Hat and Guitar -- Therese Dolan (Temple University, Tyler School of Art, Philadelphia, USA) -- 3. Time in Fin-de-Sie?cle Painting -- Anne Leonard (University of Chicago, USA) -- 4. Erik Satie and the Interart Genre -- Ann-Marie Hanlon (Dundalk Institute of Technology, Co. Louth, Ireland) -- 5. The "Figure in the Carpet": M. K. Ciurlionis and the synthesis of the arts -- Spyros Petritakis (University of Crete, Greece) -- Part 2: The Musicalization of Art -- SPACES OF PERFORMANCE, SOUND AND SILENCE -- 6. Music, sound and light: Embodied experiences of the modernist and postmodern Gesamtkunstwerk -- Diane V. Silverthorne (University of the Arts, London, UK) -- 7. Squaring the Circle: Wilfred's Lumia and his rejection of "colour music" -- Nick Lambert (Ravensbourne College, London, UK) -- 8. In concert: The emergence of the audio-visual moment in minimalism -- Meredith Mowder (Hunter College, The City University of New York, USA) -- 9. Riffing the Index: Romare Bearden and the Hand of Jazz -- Nikki A. Greene (Wellesley College, Mass., USA) -- 10. The Politics of Music and Image in Contemporary Iranian art: "the impossibility of putting one's body and voice on a stage" -- Kirstie Imber (Birkbeck, University of London, UK) -- 11. Contemporary Feminist Art, the Musical: Listening to the Visual Legacy of Riot Grrrl -- Cara Smulevitz (University of Illinois, Chicago, USA) -- Postlude -- Diane V. Silverthorne and Alan Davison -- Bibliography 330 $a"Opening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the relationship between music and the visual arts from late Romanticism and the birth of modernism to 'postmodernism', while crossing from Western art to the Middle East. Focused on music as a central experience of art and life, these essays scrutinize 'the musicalisation of art' focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and- silence, time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the 'isms' of the last two hundred years is best achieved when music's influential presence in the visual arts is acknowledged and interrogated."--Bloomsbury Publishing 330 8 $aOpening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the relationship between music and the visual arts from late Romanticism and the birth of modernism to 'postmodernism', while crossing from Western art to the Middle East. Focused on music as a central experience of art and life, these essays scrutinize 'the musicalisation of art' focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and- silence, time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the "isms" of the last two hundred years is best achieved when music's influential presence in the visual arts is acknowledged and interrogated 606 $aArt and music 606 $2History of art / art & design styles 606 $aPerformance art 615 0$aArt and music. 615 0$aPerformance art. 676 $a780/.07 702 $aSilverthorne$b Diane V. 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910511892903321 996 $aMusic, art and performance from Liszt to Riot Grrrl$92552441 997 $aUNINA