LEADER 04229nam 2200565 450 001 9910511736703321 005 20210803130144.0 010 $a1-350-98642-9 010 $a1-83860-853-2 024 7 $a10.5040/9781350986428 035 $a(CKB)4100000008154658 035 $a(MiAaPQ)EBC5763523 035 $a(CaBNVSL)mat50986428 035 $a(OCoLC)1139315233 035 $a(CaBNVSL)9781350986428 035 $a(EXLCZ)994100000008154658 100 $a20191015e20192018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFilm and identity in Kazakhstan $eSoviet and post-Soviet culture in Central Asia /$fRico Isaacs 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris & Co. Ltd,$d2018. 210 2$aLondon, England :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (xv, 332 pages) $cillustrations 225 1 $aInternational library of Central Asian studies ;$v11 311 $a1-78453-838-8 320 $aIncludes bibliographical references (pages 315-327), filmography (pages 308-314), and index. 327 $aIntroduction: From Constructed to Contested Nations: Theorising and Analysing Nation and Cinema -- 1. Kazakh Khanate to Kazakh Eli: Nation-building in Kazakhstan in Historical and Political Context -- 2. Between Two Worlds: Kazakh Film and Nation-building in the Soviet Era -- 3. The Disruption of Time: The 'Kazakh New Wave' 1985-95 -- 4. Naked in the Mirror: The Ethno-centric Narrative of Kazakh Nationhood -- 5. May the Grass Never Grow at Your Door: The Civic Conception of Nationhood in Kazakh Cinema -- 6. 'Hymn to Mother': Tengrism, Motherhood and Nationhood -- 7. The Steppe, Disorienatin, Division and Corruption: Social and Economic Visions of Modern Nationhood -- Conclusion. 330 $aCinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation--the 'imagining'--of Central Asian nations? Here, Rico Isaacs uses cinema as an analytical lens to explore how Kazakh national identity has been constructed and contested. Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to its current status as a modern independent nation. Isaacs identifies four narratives since the collapse of the Soviet Union: a warrior-like 'ethnic' narrative rooted in the eighteenth-century struggles against the Mongolian Oirat tribes; a 'civic' inspired narrative cemented in the Stalinist deportations of the 1930s and 1940s; a religious narrative founded within the mystic and philosophical religion of Tengrism and the cult of the Sky God; and a socio-economic narrative which roots Kazakh nationhood and identity in contemporary social divisions, the lived day-to-day experiences of ordinary citizens and the struggles they face with authority. These last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. Film and Identity in Kazakhstan advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space--back cover. 410 0$aInternational library of Central Asian studies ;$v11. 606 $aMotion pictures$zKazakhstan$xHistory 606 $aNationalism in motion pictures 606 $aIdentity (Psychology) in motion pictures 608 $aElectronic books. 615 0$aMotion pictures$xHistory. 615 0$aNationalism in motion pictures. 615 0$aIdentity (Psychology) in motion pictures. 676 $a791.74095845 700 $aIsaacs$b Rico$01068192 712 02$aBloomsbury (Firm), 801 0$bYDX 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910511736703321 996 $aFilm and identity in Kazakhstan$92552731 997 $aUNINA