LEADER 04229nam 2200565 450 001 9910511736703321 005 20210803130144.0 010 $a1-350-98642-9 010 $a1-83860-853-2 024 7 $a10.5040/9781350986428 035 $a(CKB)4100000008154658 035 $a(MiAaPQ)EBC5763523 035 $a(CaBNVSL)mat50986428 035 $a(OCoLC)1139315233 035 $a(CaBNVSL)9781350986428 035 $a(EXLCZ)994100000008154658 100 $a20191015e20192018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFilm and identity in Kazakhstan $eSoviet and post-Soviet culture in Central Asia /$fRico Isaacs 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris & Co. Ltd,$d2018. 210 2$aLondon, England :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (xv, 332 pages) $cillustrations 225 1 $aInternational library of Central Asian studies ;$v11 311 $a1-78453-838-8 320 $aIncludes bibliographical references (pages 315-327), filmography (pages 308-314), and index. 327 $aIntroduction: From Constructed to Contested Nations: Theorising and Analysing Nation and Cinema -- 1. Kazakh Khanate to Kazakh Eli: Nation-building in Kazakhstan in Historical and Political Context -- 2. Between Two Worlds: Kazakh Film and Nation-building in the Soviet Era -- 3. The Disruption of Time: The 'Kazakh New Wave' 1985-95 -- 4. Naked in the Mirror: The Ethno-centric Narrative of Kazakh Nationhood -- 5. May the Grass Never Grow at Your Door: The Civic Conception of Nationhood in Kazakh Cinema -- 6. 'Hymn to Mother': Tengrism, Motherhood and Nationhood -- 7. The Steppe, Disorienatin, Division and Corruption: Social and Economic Visions of Modern Nationhood -- Conclusion. 330 $aCinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation--the 'imagining'--of Central Asian nations? Here, Rico Isaacs uses cinema as an analytical lens to explore how Kazakh national identity has been constructed and contested. Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to its current status as a modern independent nation. Isaacs identifies four narratives since the collapse of the Soviet Union: a warrior-like 'ethnic' narrative rooted in the eighteenth-century struggles against the Mongolian Oirat tribes; a 'civic' inspired narrative cemented in the Stalinist deportations of the 1930s and 1940s; a religious narrative founded within the mystic and philosophical religion of Tengrism and the cult of the Sky God; and a socio-economic narrative which roots Kazakh nationhood and identity in contemporary social divisions, the lived day-to-day experiences of ordinary citizens and the struggles they face with authority. These last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. Film and Identity in Kazakhstan advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space--back cover. 410 0$aInternational library of Central Asian studies ;$v11. 606 $aMotion pictures$zKazakhstan$xHistory 606 $aNationalism in motion pictures 606 $aIdentity (Psychology) in motion pictures 608 $aElectronic books. 615 0$aMotion pictures$xHistory. 615 0$aNationalism in motion pictures. 615 0$aIdentity (Psychology) in motion pictures. 676 $a791.74095845 700 $aIsaacs$b Rico$01068192 712 02$aBloomsbury (Firm), 801 0$bYDX 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910511736703321 996 $aFilm and identity in Kazakhstan$92552731 997 $aUNINA LEADER 03813nam 22007213u 450 001 9910784624603321 005 20230213211512.0 010 $a1-383-00258-4 010 $a0-19-164718-7 010 $a1-280-75258-0 010 $a0-19-158564-5 010 $a1-4237-5745-9 024 7 $a2027/heb01467 035 $a(CKB)1000000000396019 035 $a(EBL)886597 035 $a(OCoLC)784886707 035 $a(SSID)ssj0000084810 035 $a(PQKBManifestationID)11121147 035 $a(PQKBTitleCode)TC0000084810 035 $a(PQKBWorkID)10006996 035 $a(PQKB)10539817 035 $a(dli)HEB01467 035 $a(MiU)MIU01000000000000003865568 035 $a(MiAaPQ)EBC886597 035 $a(EXLCZ)991000000000396019 100 $a20130418d1960|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Roman Revolution$b[electronic resource] 210 $aOxford $cOUP Oxford$d1960 215 $a1 online resource (xi, 568 p.) 300 $aDescription based upon print version of record. 300 $aReissued in 2002. 311 $a0-19-280320-4 320 $aIncludes bibliographical references (p. [530]-534) and index. 327 $aCover; CONTENTS; I. INTRODUCTION: AUGUSTUS AND HISTORY; II. THE ROMAN OLIGARCHY; III. THE DOMINATION OF POMPEIUS; IV. CAESAR THE DICTATOR; V. THE CAESARIAN PARTY; VI. CAESAR'S NEW SENATORS; VII. THE CONSUL ANTONIUS; VIII. CAESAR'S HEIR; IX. THE FIRST MARCH ON ROME; X. THE SENIOR STATESMAN; XL POLITICAL CATCHWORDS; XII. THE SENATE AGAINST ANTONIUS; XIII. THE SECOND MARCH ON ROME; XIV. THE PROSCRIPTIONS; XV. PHILIPPI AND PERUSIA; XVI. THE PREDOMINANCE OF ANTONIUS; XVII. THE RISE OF OCTAVIANUS; XVIII. ROME UNDER THE TRIUMVIRS; XIX. ANTONIUS IN THE EAST; XX. TOTA ITALIA; XXI. DUX; XXII. PRINCEPS 327 $aXXIII. CRISIS IN PARTY AND STATEXXIV. THE PARTY OF AUGUSTUS; XXV. THE WORKING OF PATRONAGE; XXVI. THE GOVERNMENT; XXVII. THE CABINET; XXVIII. THE SUCCESSION; XXIX. THE NATIONAL PROGRAMME; XXX. THE ORGANIZATION OF OPINION; XXXI. THE OPPOSITION; XXXII. THE DOOM OF THE NOBILES.; XXXIII. PAX ET PRINCEPS; APPENDIX: THE CONSULS; LIST OF WORKS REFERRED TO; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Z; GENEALOGICAL TABLES 330 $aThe Roman Revolution is a profound and unconventional treatment of a great theme - the fall of the Republic and the decline of freedom in Rome between 60 BC and AD 14, and the rise to power of the greatest of the Roman Emperors, Augustus. The transformation of state and society, the violent transference of power and property, and the establishment of Augustus' rule are presented in an unconventional narrative, which quotes from ancient evidence, refers seldomly to modernauthorities, and states controversial opinions quite openly. The result is a book which is both fresh and compelling. 606 $aRome -- Politics and government -- 265-30 B.C 606 $aRome -- Politics and government -- 30 B.C.-68 A.D 606 $aRegions & Countries - Europe$2HILCC 606 $aHistory & Archaeology$2HILCC 606 $aItaly$2HILCC 607 $aRome$xPolitics and government$y265-30 B.C 607 $aRome$xPolitics and government$y30 B.C.-68 A.D 615 4$aRome -- Politics and government -- 265-30 B.C. 615 4$aRome -- Politics and government -- 30 B.C.-68 A.D. 615 7$aRegions & Countries - Europe 615 7$aHistory & Archaeology 615 7$aItaly 676 $a937.05 676 $a937/.05 700 $aSyme$b Ronald$f1903-1989$0152486 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910784624603321 996 $aRoman Revolution$928653 997 $aUNINA