LEADER 05385nam 2200517 450 001 9910511695203321 005 20210425145055.0 010 $a90-04-35450-6 024 7 $a10.1163/9789004354500 035 $a(CKB)4100000000775628 035 $a(MiAaPQ)EBC5151508 035 $a2017045616 035 $a(nllekb)BRILL9789004354500 035 $a 2017045616 035 $a(EXLCZ)994100000000775628 100 $a20210425d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe nomadic object $ethe challenge of world for early modern religious art /$fedited by Christine Gottler, Mia M. Mochizuki 210 1$aBoston :$cBrill,$d2017. 215 $a1 online resource (649 pages) $cillustrations (some color) 225 1 $aIntersections,$x1568-1181 ;$vVolume 53 311 $a90-04-35432-8 320 $aIncludes bibliographical references and index. 327 $tFront Matter -- $tCopyright page -- $tAcknowledgements -- $tNotes on the Editors -- $tNotes on the Contributors -- $tList of Illustrations -- $tConnected Worlds-The World, the Worldly, and the Otherworldly: An Introduction /$rMia M. Mochizuki -- $tThe World's 'Idols' -- $tExtraordinary Things: 'Idols from India' and the Visual Discernment of Space and Time, circa 1600 /$rChristine Göttler -- $tArabic Inscriptions in the Service of the Church: An Italian Textile Evoking an Early Christian Past?* /$rDenise-Marie Teece -- $tMateriality and Idolatry: Roman Imaginations of Saint Rose of Lima* /$rTristan Weddigen -- $tParables of Contact -- $tUt Pictura Lex: Jan David, S.J., on Natural Law and the Global Reach of Christian Images /$rWalter S. Melion -- $tTranslating the Sacred: The Peripatetic Print in the Florentine Codex, Mexico (1575-1577) /$rJeanette Favrot Peterson -- $tThe Value of Misinterpretation in Cultural Exchange: The Transfer of Christian Prints from the West to Japan /$rYoriko Kobayashi-Sato -- $tPropagatio Imaginum: The Translated Images of Our Lady of Foy /$rRalph Dekoninck -- $tMaterial Alchemies -- $t'Mass' Produced Devotional Paintings in the Andes: Mobility, Flexibility, Visual Habitus* /$rEvonne Levy -- $tGems of Sacred Kingship: Faceting Anglo-Mughal Relations around 1600 /$rChristiane Hille -- $tCultured Materiality in Early Modern Art: Feather Mosaics in Sixteenth-Century Collections* /$rMargit Kern -- $tMaking Marvels-Faking Matter: Mediating Virtus between the Bezoar and Goa Stones and Their Containers* /$rBeate Fricke -- $tRelic Values -- $tNaked Bones, Empty Caskets, and a Faceless Bust: Christian Relics and Reliquaries between Europe and Asia during Early Modern Globalisation* /$rUrte Krass -- $tVirgin Skulls: The Travels of St. Ursula's Companions in the New World /$rRose Marie San Juan -- $tRelic or Icon? The Place and Function of Imperial Regalia* /$rAkira Akiyama -- $tRelics Management: Building a Spiritual Empire in Asia (Sixteenth and Seventeenth Centuries) /$rInes G. ?upanov -- $t'Netted' Works -- $tThe Seven Sorrows of the Virgin: Spreading a New Cult via Dynastic Networks* /$rDagmar Eichberger -- $tEarly Modern Incense Boats: Commerce, Christianity, and Cultural Exchange* /$rJeffrey L. Collins and Meredith Martin -- $tJourneys, Real and Imaginary, in China and Europe: Cartography, Landscape, and Travel around 1600* /$rJames Clifton -- $tArrivals at Distant Lands: Artful Letters and Entangled Mobilities in the Indian Ocean Littoral* /$rDipti Khera. 330 $aAt the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Göttler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. ?upanov. 410 0$aIntersections$v53. 606 $aArt and globalization$xHistory 606 $aCulture and globalization$xHistory 606 $aReligious art 608 $aElectronic books. 615 0$aArt and globalization$xHistory. 615 0$aCulture and globalization$xHistory. 615 0$aReligious art. 676 $a701/.0309 701 $aGo?ttler$b Christine$0951801 701 $aMochizuki$b Mia M$0987398 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910511695203321 996 $aThe nomadic object$92549203 997 $aUNINA