LEADER 01061nam2-2200349---450- 001 990003300710203316 005 20090806115238.0 035 $a000330071 035 $aUSA01000330071 035 $a(ALEPH)000330071USA01 035 $a000330071 100 $a20090806d1978----km-y0itay50------ba 101 $aeng 102 $aNL 105 $a||||||||001yy 200 1 $aCritical scattering theory$ean introduction$fJerzy Kocinski, Leszek Wojtczak 210 $aAmsterdam [etc.]$cPWn-Polish scientific publishers$d1978 215 $aX, 227 p.$cill.$d23 cm 225 2 $aPhase transition phenomena$v1 410 0$1001000330070$12001$aPhase transition phenomena$v1 606 0 $aMateria 676 $a530.4 700 1$aKOCINSKI,$bJerzy$0464310 701 1$aWOJTCZAK,$bLeszek$0605494 801 0$aIT$bsalbc$gISBD 912 $a990003300710203316 951 $a530.4 PTP/1$b18277/CBS$c530.4$d00325943 959 $aBK 969 $aSCI 979 $aRSIAV7$b90$c20090806$lUSA01$h1152 996 $aCritical scattering theory$91122770 997 $aUNISA LEADER 02976nam 22005171 450 001 9910511679503321 005 20200514202323.0 010 $a1-5013-4489-7 010 $a1-5013-4488-9 010 $a1-5013-4487-0 024 7 $a10.5040/9781501344893 035 $a(CKB)5120000000108527 035 $a(MiAaPQ)EBC5558353 035 $a(OCoLC)1057341736 035 $a(UkLoBP)bpp09262705 035 $a(EXLCZ)995120000000108527 100 $a20180205d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aArt and resistance in Germany /$fEdited by Deborah Ascher Barnstone and Elizabeth Otto 210 1$aLondon :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (289 pages) 225 1 $aVisual cultures and German contexts 311 $a1-5013-4486-2 311 $a2-8076-1096-X 320 $aIncludes bibliographical references index. 327 $aPart I. Art that alters worldviews -- Part II. Art that inspires action -- Part III. Art that critiques symbols -- Part IV. Art that is created in acts of resistance. 330 $a"In light of the recent rise of right-wing populism in numerous political contexts and in the face of resurgent nationalism, racism, misogyny, homophobia, and demagoguery, this book investigates how historical and contemporary cultural producers have sought to resist, confront, confound, mock, or call out situations of political oppression in Germany, a country which has seen a dramatic range of political extremes during the past century. While the current turn to nationalist populism is global, it is perhaps most disturbing in Germany, given its history with its stormy first democracy in the interwar Weimar Republic; its infamous National Socialist (Nazi) period of the 1930s and 1940s; and its split Cold-War existence, with Marxist-Leninist Totalitarianism in the German Democratic Republic and the Federal Republic of Germany's barely-hidden ties to the Nazi past. Equally important, Germans have long considered art and culture critical to constructions of national identity, which meant that they were frequently implicated in political action. This book therefore examines a range of work by artists from the early twentieth century to the present, work created in an array of contexts and media that demonstrates a wide range of possible resistance."--Bloomsbury Publishing. 410 0$aVisual cultures and German contexts. 606 $aArt$xPolitical aspects$zGermany 606 $aDissident art$zGermany 615 0$aArt$xPolitical aspects 615 0$aDissident art 676 $a700.943 702 $aBarnstone$b Deborah Ascher 702 $aOtto$b Elizabeth$f1970- 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910511679503321 996 $aArt and resistance in Germany$92549057 997 $aUNINA