LEADER 02935nam 2200541 450 001 9910511634803321 005 20191015111955.0 010 $a1-350-98500-7 010 $a0-85772-827-X 024 7 $a10.5040/9781350985001 035 $a(CKB)3840000000334847 035 $a(MiAaPQ)EBC5718622 035 $a(OCoLC)1003289720 035 $a(CaBNVSL)9781350985001 035 $a(EXLCZ)993840000000334847 100 $a20191015e20192017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a3D Warhol $eAndy Warhol and sculpture /$fThomas Morgan Evans 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris & Co. Ltd,$d2017. 210 2$aLondon, England :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (242 pages, 16 unnumbered pages of plates) $cillustrations 225 1 $aInternational library of modern and contemporary art ;$v24 311 $a1-78453-428-5 311 $a1-78453-427-7 320 $aIncludes bibliographical references (pages 199-205) and index. 327 $aIntroduction: Portraits -- Locating the sculptural -- 'Sublime but compulsive negation': Brillo boxes -- Atmosphere -- The artwork across the street -- A waste of space -- Conclusion: One dimensional man - in 3D! 330 $a"Rain machines; alarmed kosher pickle jars filled with gemstones; replica corn flakes boxes; 'disco decor'; time capsules; art bombs; birthday presents; perfume bottles and floating silver pillows that are clouds; paintings that are also films; museum interventions; collected and curated projects; expanded performance environments; holograms. This is a book about the vast array of sculptural work made by Andy Warhol between 1954 and 1987 - a period that begins long before the first Pop paintings and ends in the year of his death. In 3D Warhol, Thomas Morgan Evans argues that Warhol's engagement with sculpture, and traditional notions of sculpture, produced 'trespasses', his sculptural work bisected the expectations, allegiances and values within art historical, and ultimately social sites of investitute (or territories). This groundbreaking, original book brings to the forefront a major, but overlooked aspect of Warhol's oeuvre, providing an essential new perspective on the artist's legacy."--$cPublisher's website. 410 0$aInternational library of modern and contemporary art ;$v24. 517 3 $aThree-dimensional Warhol 606 $aPop art$zUnited States 606 $2Art & design styles: from c 1960 608 $aElectronic books. 615 0$aPop art 676 $a700.92 700 $aMorgan Evans$b Thomas$01067164 712 02$aBloomsbury (Firm), 801 0$bUKUOY 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910511634803321 996 $a3D Warhol$92550612 997 $aUNINA LEADER 01529aam 2200421I 450 001 9910710290803321 005 20160121100807.0 024 8 $aGOVPUB-C13-dfead22df84c01656796413a75fbf441 035 $a(CKB)5470000002476375 035 $a(OCoLC)935498752 035 $a(EXLCZ)995470000002476375 100 $a20160121d1979 ua 0 101 0 $aeng 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aHUD utilities demonstration series $edescription of the data acquisition and instrumentation systems /$fCharles Bulik; William G. Rippey; C. Warren Hurley; Daniel E. Rorrer 210 1$aGaithersburg, MD :$cU.S. Dept. of Commerce, National Institute of Standards and Technology,$d1979. 215 $a1 online resource 225 1 $aNBSIR ;$v79-1709 300 $a1979. 300 $aContributed record: Metadata reviewed, not verified. Some fields updated by batch processes. 300 $aTitle from PDF title page. 320 $aIncludes bibliographical references. 517 $aHUD utilities demonstration series 700 $aBulik$b Charles$01418533 701 $aBulik$b Charles$01418533 701 $aHurley$b C. Warren$01401538 701 $aRippey$b William G$01390283 701 $aRorrer$b Daniel E$01388313 712 02$aUnited States.$bNational Bureau of Standards. 801 0$bNBS 801 1$bNBS 801 2$bGPO 906 $aBOOK 912 $a9910710290803321 996 $aHUD utilities demonstration series$93530249 997 $aUNINA