LEADER 00954nam0-22003131i-450- 001 990000344540403321 005 20090604133139.0 035 $a000034454 035 $aFED01000034454 035 $a(Aleph)000034454FED01 035 $a000034454 100 $a20020821d1892----km-y0itay50------ba 101 0 $ager 105 $ay-------001yy 200 1 $aPhotochemische Untersuchungen$fVon R. Bunsen und H.E. Roscoe$gHerausgegeben von W. Ostwald 210 $aLeipzig$cVerlag von Engelmann$d1892 215 $a96 p., 19 cm 225 1 $aOstwalds Klassiker der exakten Wissenschaften$v34 676 $a030 700 1$aBunsen,$bRobert$016800 702 1$aOstwald,$bWilhelm$f<1853-1932> 702 1$aRoscoe,$bHenry-Enfield$f<1833-1915> 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000344540403321 952 $a04 210-1/34$bCI$fDINCH 959 $aDINCH 996 $aPhotochemische Untersuchungen$9124676 997 $aUNINA LEADER 05278nam 2200481 450 001 9910511438803321 005 20190826145055.0 010 $a90-04-35671-1 024 7 $a10.1163/9789004356719 035 $a(CKB)4100000000987638 035 $a(MiAaPQ)EBC5570597 035 $a 2017043955 035 $a(nllekb)BRILL9789004356719 035 $a(Au-PeEL)EBL5570597 035 $a(OCoLC)1064986090 035 $a(EXLCZ)994100000000987638 100 $a20170913d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aBourdieu in question $enew directions in French sociology of art /$fedited by Jeffrey A. Halley, Daglind E. Sonolet 210 1$aBoston :$cBrill,$d2017. 215 $a1 online resource (xix, 456 pages) 225 0 $aInternational studies in sociology and social anthropology ;$vv. 130 311 $a90-04-31005-3 320 $aIncludes bibliographical references and index. 327 $tFront Matter -- $tContents -- $tContents Organized by Theme -- $tAcknowledgments -- $tIntroduction /$rJeffrey A. Halley and Daglind E. Sonolet -- $tThe Museum and the Marketplace: The Constitution of Value in Contemporary Art -- $tThe Museum and the Marketplace: The Constitution of Value in Contemporary Art /$rRaymonde Moulin -- $tChapter 3: The Anglophone Reception of French Sociology: The Case of Bourdieu and Subsequent Scholarship /$rHoward S. Becker -- $tChapter 4: The Time Devoted to Observing Each Work of Art /$rJean-Claude Passeron and Emmanuel Pedler -- $tChapter 5: What is Literature? Notes on The Rules of Art by Pierre Bourdieu /$rJacques Leenhardt -- $tThe Museum and the Marketplace: The Constitution of Value in Contemporary Art -- $tThe Issue of the Artwork: A Site under Construction in Pierre Bourdieu?s Theory /$rBruno Péquignot -- $tChapter 7: Theory and Practice in French Sociology after Pierre Bourdieu /$rJean-Louis Fabiani -- $tChapter 8: Inequalities in the Arts /$rPierre-Michel Menger -- $tChapter 9: Bourdieu?s Culture /$rNathalie Heinich -- $tChapter 10: Founding a Reading Group at a Library for the Young: The Story of Its Creation and Variations /$rMartine Burgos -- $tChapter 11: On a Contemporary Principle of Public Classification: Heritage Conversion of Cultural Property /$rYvon Lamy -- $tThe Museum and the Marketplace: The Constitution of Value in Contemporary Art -- $tMusical Understanding and Cultural Misunderstanding: The Concert as a Site of Symbolic Confrontation /$rEmmanuel Pedler -- $tChapter 13: Empiricity and the Process of Production in Literature: The Text as the Field of Socio-Anthropological Investigation /$rFlorent Gaudez -- $tChapter 14: How International is ?International? Contemporary Art? An Empirical Survey of the Globalization of High Culture /$rAlain Quemin -- $tChapter 15: The Work of the Institution: The Democratization of Culture in the Light of the Legacy of the Théâtre National Populaire /$rLaurent Fleury -- $tChapter 16: Trying to Get in, Getting in, Staying in: The Three Challenges for Women Jazz Musicians /$rBuscatto Marie -- $tChapter 17: In What Way (or Not) is Bourdieu Useful to the Sociology of Literature? /$rClara Lévy and Cherry Schrecker -- $tChapter 18: The Art of Self-Reflecting /$rCécile Léonardi -- $tThe Museum and the Marketplace: The Constitution of Value in Contemporary Art -- $tMondo Vino: Rationalization, Resistance, and Taste in the Wine World /$rJeffrey A. Halley -- $tChapter 20: Literature and Modernity: Günther Anders, Hannah Arendt, and Theodor W. Adorno ? Interpreters of Kafka /$rDaglind E. Sonolet. 330 $aIn Bourdieu in Question: New Directions in French Sociology of Art , Jeffrey A. Halley and Daglind E. Sonolet offer to English-speaking audiences an account of the very lively Francophone debates over Pierre Bourdieu?s work in the domain of the arts and culture, and present other directions and perspectives taken by major French researchers who extend or differ from his point of view, and who were marginalized by the Bourdieusian moment. Three generations of research are presented: contemporaries of Bourdieu, the next generation, and recent research. Themes include the art market and value, cultural politics, the reception of artworks, theory and the concept of the artwork, autonomy in art, ethnography and culture, and the critique of Bourdieu on literature. Contributors are: Howard S. Becker, Martine Burgos, Marie Buscatto, Jean-Louis Fabiani, Laurent Fleury, Florent Gaudez, Jeffrey A. Halley, Nathalie Heinich, Yvon Lamy, Jacques Leenhardt, Cécile Léonardi, Clara Lévy, Pierre-Michel Menger, Raymonde Moulin, Jean-Claude Passeron, Emmanuel Pedler, Bruno Péquignot, Alain Quemin, Cherry Schrecker, Daglind E. Sonolet. 410 0$aInternational Studies in Sociology and Social Anthropology$v130. 606 $aArt and society$zFrance 608 $aElectronic books. 615 0$aArt and society 676 $a701/.03 701 $aHalley$b Jeffrey A$01067235 701 $aSonolet$b Daglind$0561857 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910511438803321 996 $aBourdieu in question$92550745 997 $aUNINA