LEADER 02841nam 2200493 450 001 9910511395903321 005 20200814145518.0 010 $a1-912385-13-9 035 $a(CKB)4100000011243899 035 $a(MiAaPQ)EBC6194580 035 $a(EXLCZ)994100000011243899 100 $a20200814d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRematerializing colour $efrom concept to substance /$fedited by Diana Young 210 1$aCanon Pyon :$cSean Kingston Publishing,$d[2018] 210 4$dİ2018 215 $a1 online resource (263 pages) $cillustrations, maps 311 $a1-907774-25-4 320 $aIncludes bibliographical references and index. 330 $aColour is largely assumed to be already in the world, a natural universal that everyone, everywhere understands. Yet cognitive scientists routinely tell us that colour is an illusion, and a private one for each of us; neither social nor material, it is held to be a product of individual brains and eyes rather than an aspect of things. This collection seeks to challenge these assumptions and examine their farreaching consequences, arguing that colour is about practical involvement in the world, not a finalized set of theories, and getting to know colour is relative to the situation one is in both ecologically and environmentally. Specialists from the fields of anthropology, psychology, cinematography, art history and linguistics explore the depths of colour in relation to light and movement, memory and landscape, language and narrative, in case studies with an emphasis on Australian First Peoples, but ranging as far afield as Russia and First Nations in British Columbia. What becomes apparent, is not only the complex but important role of colours in socializing the world; but also that the concept of colour only exists in some times and cultures. It should not be forgotten that the Munsell Chart, with its construction of colours as mathematical coordinates of hues, value and chroma, is not an abstraction of universals, as often claimed, but is itself a cultural artefact --$cSource other than Library of Congress. 606 $aColor 606 $aColor$xPsychological aspects 606 $aColor$xSocial aspects 606 $aColor in art 606 $aAesthetics 608 $aElectronic books. 615 0$aColor. 615 0$aColor$xPsychological aspects. 615 0$aColor$xSocial aspects. 615 0$aColor in art. 615 0$aAesthetics. 676 $a301 702 $aYoung$b Diana$g(Diana Jane Barbara), 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910511395903321 996 $aRematerializing colour$92551501 997 $aUNINA LEADER 01048nam a2200265 i 4500 001 991000149489707536 005 20020503114732.0 008 980326s1989 uk ||| | eng 020 $a0713461098 035 $ab10037512-39ule_inst 035 $aocm00001787$9ExL 040 $aDip.to Beni Culturali$bita 100 1 $aRolle, Renate$0459903 245 14$aThe world of the Scythians /$cby Renate Rolle ; translated by Gayna Walls from the German Die Welt der Skythen 260 $aLondon :$bB.T. Batsford,$c1989 300 $a141 p., [16] p. of plates :$bill. (some col.) ;$c26 cm. 500 $aTranslation of: Die Welt der Skythen. 500 $aIncludes bibliographical references (p. 136-138) and index 650 4$aScythians 907 $a.b10037512$b21-09-06$c31-05-02 912 $a991000149489707536 945 $aLE001 SG II 120$g1$i2001000189526$lle001$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10040766$z31-05-02 996 $aWorld of the Scythians$9177299 997 $aUNISALENTO 998 $ale001$b01-01-98$cm$da $e-$feng$guk $h4$i1