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010   $a9783030847746
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024 7 $a10.1007/978-3-030-84774-6
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035   $a(Au-PeEL)EBL6796434
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035   $a(DE-He213)978-3-030-84774-6
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101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aRe-performance, Mourning and Death $eSpecters of the Past /$fby Sarah Julius
205   $a1st ed. 2021.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021.
215   $a1 online resource (206 pages)
225 1 $aAdaptation in Theatre and Performance,$x2947-4051
311 08$a9783030847739 
311 08$a303084773X 
327   $a1. Introduction: Re-performance Now: Loss, Adaptation and Survival -- 2. Chapter One: Re-performance, Death, Mourning and Survival: A Theoretical Discourse -- 3. Chapter Two: Abjection and Memorial: Death and Finitude -- 4. Chapter Three: Adaptation, Echoes, Traces and Remains -- 5. Chapter Four: Loss and Mourning -- 6. Chapter Five: Re-performance, Adaptation, Legacy and the Future -- 7. Chapter Six: Mourning and Memorial -- 8. Conclusion: Adaptation, Afterlives, Survival and Re-performance.
330   $aThis book examines the recent trend for re-performance and how this impacts on the relationship between live performance and death. Focusing specifically on examples of performance art the text analyses the relationship between performance, re-performance and death, comparing the process of re-performance to the process of mourning and arguing that both of these are processes of adaptation and survival. Using a variety of case studies, including performances by Ron Athey, Julie Tolentino, Martin O'Brien, Sheree Rose, Jo Spence and Hannah Wilke, the book explores performances which can be considered acts of re-performance, as well as performances which examine some of the critical concerns of re-performance, including notions of illness, loss and death. By drawing upon both philosophical and performance studies discourses the text takes a novel approach to the relationship between re-performance, mourning and death. Sarah Julius completed her PhD at De Montfort University, UK, in February 2019, graduating in July 2019. During the completion of her thesis she presented her research at De Montfort University's Borderlines conference as well as at a postgraduate conference at Sapienza University of Rome, Italy. She also has experience teaching at De Montfort University as a visiting lecturer.
410  0$aAdaptation in Theatre and Performance,$x2947-4051
606   $aPerforming arts
606   $aTheater
606   $aAdaptation (Literary, artistic, etc.)
606   $aActors
606   $aCultural industries
606   $aSite-specific theater
606   $aTheatre and Performance Arts
606   $aAdaptation Studies
606   $aApplied Theatre
606   $aPerformers and Practitioners
606   $aTheatre Industry
606   $aSite-Specific Performance
615  0$aPerforming arts.
615  0$aTheater.
615  0$aAdaptation (Literary, artistic, etc.)
615  0$aActors.
615  0$aCultural industries.
615  0$aSite-specific theater.
615 14$aTheatre and Performance Arts.
615 24$aAdaptation Studies.
615 24$aApplied Theatre.
615 24$aPerformers and Practitioners.
615 24$aTheatre Industry.
615 24$aSite-Specific Performance.
676   $a791.01
676   $a791.01
700   $aJulius$b Sarah$01072011
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910508465403321
996   $aRe-Performance, Mourning and Death$92568157
997   $aUNINA