LEADER 03600nam 22007215 450 001 9910506384703321 005 20240628124728.0 010 $a9783030676193 010 $a3030676196 010 $a9783030676186 010 $a3030676188 024 7 $a10.1007/978-3-030-67619-3 035 $a(CKB)5340000000068563 035 $a(MiAaPQ)EBC6792464 035 $a(Au-PeEL)EBL6792464 035 $a(OCoLC)1285169762 035 $a(DE-He213)978-3-030-67619-3 035 $a(EXLCZ)995340000000068563 100 $a20211025d2021 u| 0 101 0 $aeng 135 $aurcn#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHeavy Metal Music, Texts, and Nationhood $e(Re)sounding Whiteness /$fby Catherine Hoad 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (vii, 260 pages) 225 1 $aLeisure Studies in a Global Era,$x2946-3181 311 08$a9783030676186 311 08$a3030676188 320 $aIncludes bibliographical references and index. 327 $a1.Introduction -- 2. Sound of White Noise -- 3.Norwegian black and Viking metal scenes -- 4.Territories of Whiteness in Afrikaans metal -- 5. Normophilic Whiteness and Banal Nationalism in Australian extreme metal -- 6.(Re)sounding, (re)sealing: Translocal Terrains of Whiteness across Norway, South Africa and Australia -- 7.Conclusion: Beyond the Pale. 330 $aThis book addresses how whiteness is represented in heavy metal scenes and practices, both as a site of academic inquiry and force of cultural significance. The author argues that whiteness, and more specifically white masculinity, has been given normative value which obscures the contributions of women and people of colour, and affirms the exclusory understandings of 'belonging' which have featured in the metal scenes of Norway, South Africa, and Australia. Utilizing critical discourse analysis and critical textual analysis of musical texts, promotional material, and participant-based observation ethnographies, it explores how the texts, discourses, and practices produced and articulated by metal scene members and scholars alike have presented heavy metal as a white, masculine pastime, yet also considers the vital work done by scene members to confront expressions of exclusory misogyny and racism when they emerge in metal scenes. The book will be of interest to researchers and scholars in the fields of metal music studies, leisure studies, sociology of culture and sociology of racism. Catherine Hoad is Senior Lecturer in Critical Popular Music Studies, Massey University, Wellington, New Zealand. 410 0$aLeisure Studies in a Global Era,$x2946-3181 606 $aSociology 606 $aLeisure 606 $aCulture 606 $aMusic 606 $aRace 606 $aLeisure Studies 606 $aSociology of Culture 606 $aMusic 606 $aRace and Ethnicity Studies 615 0$aSociology. 615 0$aLeisure. 615 0$aCulture. 615 0$aMusic. 615 0$aRace. 615 14$aLeisure Studies. 615 24$aSociology of Culture. 615 24$aMusic. 615 24$aRace and Ethnicity Studies. 676 $a306.48426 676 $a306.48426 700 $aHoad$b Catherine$01072422 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910506384703321 996 $aHeavy Metal Music, Texts, and Nationhood$92568717 997 $aUNINA