LEADER 03181oam 22005414a 450 001 9910502687603321 005 20230621141407.0 010 $a94-6166-432-X 035 $a(CKB)5600000000021068 035 $a(OCoLC)654732317 035 $a(MdBmJHUP)musev2_97501 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/72032 035 $a(EXLCZ)995600000000021068 100 $a20010523d1999 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTheory into practice : $eComposition, Performance and the Listening Experience / $fNicholas Cook, Peter Johnson, Hans Zender 210 $aLeuven$cLeuven University Press$d2021 210 1$aLeuven, Belgium :$cLeuven University Press,$d1999. 210 4$dİ1999. 215 $a1 online resource (119 p.) : $cill., music ; 225 0 $aCollected writings of the Orpheus Institute ;$v#2 311 $a90-6186-994-3 320 $aIncludes bibliographical references. 327 $aWords about music, or analysis versus performance / Nicolas Cook -- Performance and the listening experience : Bach's "Erbarme Dich" / Peter Johnson -- A roadmap for Orpheus? About non-linear codes of music for the descent into its Underworld / Hans Zender. 330 $a"Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute. The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions." 410 0$aCollected writings of the Orpheus Institute ;$v#2. 606 $aComposition (Music) 606 $aMusic theory 606 $aMusical analysis 608 $aElectronic books. 610 $amusical composition; performance; listening experience; analysis 615 0$aComposition (Music) 615 0$aMusic theory. 615 0$aMusical analysis. 676 $a781 700 $aCook$b Nicholas$f1950-$0446289 701 $aZender$b Hans$01229952 701 $aJohnson$b Peter$f1945 April 30-$01229951 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910502687603321 996 $aTheory into practice$92855061 997 $aUNINA