LEADER 03932oam 2200877 c 450 001 9910502679403321 005 20260202090927.0 010 $a9783839458235 010 $a3839458234 024 3 $a9783839458235 035 $a(CKB)5180000000022017 035 $a(transcript Verlag)9783839458235 035 $a(MiAaPQ)EBC6956359 035 $a(Au-PeEL)EBL6956359 035 $a(DE-B1597)582826 035 $a(DE-B1597)9783839458235 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/72142 035 $a(OCoLC)1280945446 035 $a(ScCtBLL)d8f458f0-379a-496b-adab-90043af4c3b5 035 $a(Perlego)2314433 035 $a(oapen)doab72142 035 $a(EXLCZ)995180000000022017 100 $a20260202d2021 uy 0 101 0 $aeng 135 $aurnnunnnannuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aWhat Will Be Already Exists$eTemporalities of Cold War Archives in East-Central Europe and Beyond$fEmese Kürti, Zsuzsa László 205 $a1st ed. 210 $aBielefeld$ctranscript Verlag$d2021 215 $a1 online resource (198 p.)$c1391 MB 12 SW-Abbildungen, 26 Farbabbildungen 225 0 $aImage 311 08$a9783837658231 311 08$a3837658236 327 $aCover -- Contents -- Acknowledgments -- Introduction -- Collecting the Future -- "Destroy, She Said" -- Active Gaps and Absences in Artist Archives -- The New Sectarianism -- Self-Historicization -- Collaborative Actions, Continued Omissions -- Expansive Underground -- The Alternative Official? -- The Life and Afterlife of the Archive -- artpool.hu: a user's guide -- Biographies. 330 $aHow do artist archives survive and stay authentic in radically changed contexts? The volume addresses the challenge of continuity, sustainability, and institutionalization of archives established by Eastern European artists. At its center stands the 40th anniversary of the Artpool Art Research Center founded in 1979 in Budapest as an underground institution based on György Galántai's »Active Archive« concept. Ten internationally renowned scholars propose contemporary interpretations of this concept and frame artist archives not as mere sources of art history but as models of self-historicization. The contributions give knowledgeable insights into the transition of Cold War art networks and institutional landscapes. 410 0$aImage 517 2 $aKürti/László (eds.), What Will Be Already Exists$eTemporalities of Cold War Archives in East-Central Europe and Beyond 606 $a(Artist) Archives 606 $aCold-War 606 $aNeo-Avant-Garde 606 $aEastern Europe 606 $aHistoricization 606 $aMemory Culture 606 $aSociety 606 $aCultural History 606 $aArt History 606 $aArt History of the 20th Century 606 $aCultural Management 606 $aMuseum Management 606 $aFine Arts 615 4$a(Artist) Archives 615 4$aCold-War 615 4$aNeo-Avant-Garde 615 4$aEastern Europe 615 4$aHistoricization 615 4$aMemory Culture 615 4$aSociety 615 4$aCultural History 615 4$aArt History 615 4$aArt History of the 20th Century 615 4$aCultural Management 615 4$aMuseum Management 615 4$aFine Arts 676 $a700.411 702 $aKürti$b Emese$p

Emese Kürti, Museum of fine Arts Budapest, Ungarn

$4edt 702 $aLászló$b Zsuzsa$p

Zsuzsa László, Museum of fine Arts Budapest, Ungarn

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