LEADER 03951nam 22006735 450 001 9910502664003321 005 20240313112125.0 010 $a9783030788339 010 $a3030788334 024 7 $a10.1007/978-3-030-78833-9 035 $a(CKB)4940000000612713 035 $a(MiAaPQ)EBC6730646 035 $a(Au-PeEL)EBL6730646 035 $a(OCoLC)1287136819 035 $a(DE-He213)978-3-030-78833-9 035 $a(EXLCZ)994940000000612713 100 $a20210920d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArt, Ethics and the Human-Animal Relationship /$fby Linda Johnson 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (329 pages) 225 1 $aThe Palgrave Macmillan Animal Ethics Series,$x2634-6680 300 $aIncludes index. 311 08$a9783030788322 311 08$a3030788326 327 $a1. Chapter 1: Introduction -- 2. Chapter 2: A New Breed: The Cat as Scapegoat in Edenic and Utopian Imagery -- 3. Chapter 3: Virtue and Vice in High Couture -- 4. Chapter 4: Transformational Approaches: Equine Speciesism -- 5. Chapter 5: Looking Askance: The Changing Shape Of "Meat" In Dutch Still Life Painting -- 6. Chapter 6: Historical Processes: Embodied /Embedded -- 7. Chapter 7: Absent Referents: Bristly Brushes -- 8. Chapter 8: Conclusion: Darkness into Light -- . 330 $a'An outstanding work. Brilliant, scholarly, and insightful. Linda Johnson has established herself as the leading art historian of our complex relationship with animals. Her work shows how art can enhance as well as denigrate the status of other species. She has opened up a whole new field of artistic endeavour.' - Professor Andrew Linzey, Director of the Oxford Centre for Animal Ethics, UK This book examines the works of major artists between the seventeenth and nineteenth centuries, as important barometers of individual and collective values toward non-human life. Once viewed as merely representational, these works can also be read as tangential or morally instrumental by way of formal analysis and critical theories. Chapter Two demonstrates the discrimination toward large and small felines in Genesis and The Book of Revelation. Chapter Three explores the cruel capture of free roaming animals and how artists depicted their furs, feathersand shells in costume as symbols of virtue and vice. Chapter Four identifies speciest beliefs between donkeys and horses. Chapter Five explores the altered Dutch kitchen spaces and disguised food animals in various culinary constructs in still life painting. Chapter Six explores the animal substances embedded in pigments. Chapter Seven examines animals in absentia-in the crafting of brushes. The book concludes with the fish paintings of William Merritt Chase whose glazing techniques demonstrate an artistic approach that honors fishes as sentient beings. 410 0$aThe Palgrave Macmillan Animal Ethics Series,$x2634-6680 606 $aAesthetics 606 $aEthics 606 $aAnimal welfare$xMoral and ethical aspects 606 $aArts 606 $aAesthetics 606 $aMoral Philosophy and Applied Ethics 606 $aAnimal Ethics 606 $aFine Art 615 0$aAesthetics. 615 0$aEthics. 615 0$aAnimal welfare$xMoral and ethical aspects. 615 0$aArts. 615 14$aAesthetics. 615 24$aMoral Philosophy and Applied Ethics. 615 24$aAnimal Ethics. 615 24$aFine Art. 676 $a704.9432 676 $a704.9432 700 $aJohnson$b Linda$0853119 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910502664003321 996 $aArt, Ethics and the Human-Animal Relationship$91905008 997 $aUNINA