LEADER 04079nam 22006735 450 001 9910502593703321 005 20230810173319.0 010 $a9783030794460 010 $a3030794466 024 7 $a10.1007/978-3-030-79446-0 035 $a(CKB)5140000000014235 035 $a(MiAaPQ)EBC6784145 035 $a(Au-PeEL)EBL6784145 035 $a(OCoLC)1287129615 035 $a(DE-He213)978-3-030-79446-0 035 $a(EXLCZ)995140000000014235 100 $a20211015d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aChoreographing Agonism $ePolitics, Strategies and Performances of the Left /$fby Goran Petrovi?-Lotina 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (193 pages) 311 08$a9783030794453 311 08$a3030794458 320 $aIncludes bibliographical references and index. 327 $aChapter 1. Introduction -- Chapter 2. Constructing the people -- Chapter 3. The choreography of articulation -- Chapter 4. Political strategies and Performance Studies -- Chapter 5. Discourse theory and artistic performances -- Chapter 6. Tension: a guiding force in performance, philosophy, and politics -- Chapter 7. Drama: an encounter between the performance and the audience -- Chapter 8. Affects and opinion formation -- Chapter 9. Identifications -- Bibliography -- Index. . 330 $aIn Choreographing Agonism, author Goran Petrovi? Lotina offers new insight into the connections between politics and performance. Exploring the political and philosophical roots of a number of recent leftist civil movements, Petrovi? Lotina forcefully argues for a re-imagining of artistic performance as an instrument of democracy capable of contesting a dominant politics. Inspired by post-Marxist theories of discourse theory, hegemony, conflict, and pluralism, and using tension as a guiding philosophical, political, and artistic force, the book expands the politico-philosophical debate on theories of performance. It offers both scholars and practitioners of performance a thought-provoking analysis of the ways in which artistic performance can be viewed politically as 'agonistic choreo-political practice,' a powerful strategy for mobilising alternative ways of living together and invigorating democracy. Choreographing Agonism makes a bold and innovative contribution to the discussion of political and philosophical thought in the field of Performance Studies. Born in Yugoslavia, Goran Petrovi? Lotina is an author, scholar, and curator who has published widely on the interplay between art, politics, and theory. Prior to obtaining his PhD at the University of Ghent, he studied at Sciences Po Paris and at the University of Belgrade. Currently, he is Research Fellow at the University of Warwick and Lecturer at Sciences Po Paris. Petrovi? Lotina is Founder and Co-curator of Fogo Island Film, an international film program held in Newfoundland, Canada, and is a member of l'Association internationale des critiques d'art. 606 $aPerforming arts 606 $aTheater 606 $aDance 606 $aPolitical science$xPhilosophy 606 $aCulture$xStudy and teaching 606 $aTheatre and Performance Arts 606 $aDance 606 $aPolitical Philosophy 606 $aCultural Studies 615 0$aPerforming arts. 615 0$aTheater. 615 0$aDance. 615 0$aPolitical science$xPhilosophy. 615 0$aCulture$xStudy and teaching. 615 14$aTheatre and Performance Arts. 615 24$aDance. 615 24$aPolitical Philosophy. 615 24$aCultural Studies. 676 $a792 676 $a306.484 700 $aPetrovic?-Lotin$b Goran$01250377 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910502593703321 996 $aChoreographing agonism$92897477 997 $aUNINA